culture and the heritage in heaney

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The writer of both poems, Seamus Heaney was born in 1939 in Northern Ireland. He lived in a family of Catholics that situated themselves on a farm named Mossbawn. He lived in a big family, which created theme for his poems. For example, his brother, Christopher, was killed and this incident was the subject of the poem, “Mid term Break.”

Heaney encountered many violent scenes when he moved to Derry in Northern Ireland after he married. This is when he moved to Southern Ireland in which he settled in his poetry. Seamus Heaney writes poems about his childhood, Irish history and the environment of people he has known. There have been repeated invasions in Ireland. One example is when the Scots invaded Ireland in the eighteenth century. There is no big surprise that, due to the friction, there is anger and intensity.

Northern Ireland is split. This is due to the fact that England invaded Northern Ireland. England was a protestant country and Northern Ireland was Catholic. After England had invaded, Northern Ireland had a split decision over religion leading to so many sectarian offences. This is where Heaney got the idea for many of his poems.

Heaney uses his poems about preoccupation with pre-Christian people who put bodies in Danish boys to understand the question that constantly runs through his mind, and that question is, “Why did all this happen?” If he can understand the violence that has happened and is still going on, then a billion questions will be answered in one.

Because of this, I have selected the poems, “The Tollund Man” and “Strange Fruit” to study throughout this essay. “The Tollund Man” is about a young man who dies for his village in a Pagan sacrifice. The body can now be found in Aarhus. “Strange Fruit” is written in sonnet form, which is unusual because sonnets are usually love poems. However, this poem is about a head, exhumed from the ground. The poem focuses on the visual of the head and how it may have gotten to how it is.

“The Tollund Man” is divided into three sections. These sections are the troubles that are happening, a section that is modern and a section that is ancient. There are five stanzas in the first section. The second stanza contains three and the third one does, too. There are four lines in each stanza. However, no lines rhyme. Because there is no rhyme scheme, it is easier for the reader to understand, as it is more like a poem rather than a story. Seamus Heaney uses commas and full stops continuously at the end of lines in “The Tollund Man.” By using commas it brings in a natural pause. It also slows down the poem. An example of this is:

        “To see his peat-brown head,

          The mild pods of his eye-lids,

          His pointed skin cap.”

He slows it down so every ounce of description is taken in and it created a peaceful mood.

Seamus Heaney also uses enjambment in “The Tollund Man.”

         “Something of his sad freedom

          As he rode the tumbril”

Enjambment is a run on lines, so without a comma. This has the opposite affect of using a comma. By using enjambment, the pace of the poem speeds up. He does this because there’s a lot of action in the poem. As mentioned before, end stopped lines also appear in “The Tollund Man.”

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For example:

         “I will stand a long time.”

And

         “Unhappy and at home.”

Both of these examples seem definite. He does this to add emphasis to certain lines and phrases.

A caesura is a conscious break in a line of poetry. Seamus Heaney doesn’t use a caesura in this poem because he wants the poem to be of a certain pace. The only real use of a caesura in “The Tollund Man” is

        “Tollund, Graubelle, Nebelgard,”

Which is used in one of the final stanzas. By doing this, it reinforces one of the meanings ...

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