Discuss the Ways in Which Dickens and Collins Create an Air of Suspense and Mystery in These Stories.

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Josh - Bryan 10DRH

Discuss the Ways in Which Dickens and Collins Create an Air of Suspense and Mystery in These Stories.

        Both The Signalman and The Ostler are Victorian ghost stories, the signalman being written by Charles Dickens in 1866, and the ostler being written in 1855 by Wilkie Collins. Both these stories were relatively scary at the time of which they were wrote (The 19th Century.)

        Both writers create suspense in their stories by using a certain type of narrative, descriptive and organisational conventions such as in the beginning, they both have someone narrating it without the reader knowing who it is. The oster mentions murder, and the signalman has someone shouting, “Halloa! Below there!” Both of these examples create suspense. They are also set in the dark, and with hardly anyone around, this creating mystery, as mysterious things are more likely to happen in the dark. The main characters in the stories are haunted by ghosts and picked on as targets, making them interesting. The supernatural appear in both of these stories, the signalman using the spectre, which appears to be his cause of death, and the ostler using a witch. Both of the endings in these stories are unexpected, the signalman has a twist at the end, it lead up to just another ordinary day, but then “Signalman killed this morning, sir” is clearly not what the reader expected to happen, very good for creating suspense, makes the reader want to read on to find who or what killed him. The ostler didn’t really have an ending; it ended with a sort of cliff hanger. Suddenly ends with the narrator stating that his wife or the witch may be looking for him, and then poses the question, “Who can tell!” Creating a lot of suspense, this makes the reader want to know what is going to happen.

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        In brief, both of these stories are similar but at the same time, rather different. The signalman is about a ghost that has been haunting a signal man on a railway, each appearance preceding a tragic event on the railway on which he works. And the ostler is about a man, a lonely man with less luck than anyone who falls in love, but only to find that she is the witch from his dream, the one that tried to kill him.


        Both stories start off with powerful and effective beginnings, “Halloa! Below there!” the signalman starts ...

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