How does Ayub Khan-Din portray conflict in the play East is East
How does Ayub Khan-Din portray conflict in the play East is East 'East is East' is a play written by Ayub Khan din. It is autobiographical play based on Ayub Khan-Din's experiences growing up as a mixed raced family in 1970's Salford. He conveys to us that there were difficulties and conflicts growing up as an Anglo - Pakistani. The play's main characters consist of the father George Khan who received a strict Pakistani and Muslim upbringing, the mother Ella who is English and their 6 Anglo-Pakistani children. The main theme of conflict that is based on a cultural and generation clash is made clear from the play - even before we've been introduced to it. This is illustrated to us by the title - " East is East". It is a reference to the Ballad of East and West, however it is also made clear by the names of the children, as well as where they work. Ironically the Khan family work in a fish and chip shop - a very typical British shop. When explaining how Ayub Khan-Din portrays conflict in the play 'East is East' we must first analyse the themes that cause conflict within the play. The significant themes that cause conflict are based on culture religion and generation, and how the children's opinions on these themes contrast with their father George. In addition, we must also analyse what society in the 1970's was like on top of its views on immigration and race during this time;
How is the issue of conflict dealt with in the play East is East?
How is the issue of 'conflict' dealt with in the play 'East is East?' East is East is set in 70s Salford, a suburb of Manchester. Around this time there were many immigrants arriving to working class Britain- especially from the Indian sub-continent and other ex-British colonies. As a result, there was a large rise in racial tension spurred on by the likes of Enoch Powell and the National Front. This affected the Khan family as a result of George being from Pakistan marring Ella who is British, consequently their children were mixed race. Their marriage itself was also very rare as Asian and English people were hardly seen to integrate or even be married to each other during the 70s, thus there was a very small minority of people who could claim they were of joint Pakistani and British descent, as is the case of the Khan children. Their dual heritage often meant they felt trapped between two cultures and as they felt more anglicised, they saw themselves following the British lifestyle and culture and were therefore reluctant to follow their father's expectations of fitting into traditional Pakistani culture. This in itself is a major source of conflict in the play. George and Ella are seen to argue a lot of the time. Usually, the roots of their arguments are their opposing sets of values which stem from their different cultures and religious background. For example, when
tension built up-of mice and men
English Homework Describe with close reference to the text the way in which John Steinbeck builds up the dramatic tension in chapter 5 from the beginning of the chapter to the part where Curley's wife dead. There are a number of ways uses by John Steinbeck to builds up tension in Chapter 5 in Of Mice And Men. Depiction of Curley's wife is the most important way Steinbeck uses to builds up dramatic tension. Curley's wife goes in the barn, and she then starts talk to Lennie:" Listen, all the guys got a horseshoe tenement goin' out. It's only about four o'clock, none of them guys is goin' to leave that tenement. Why can't I talk to you?" Steinbeck uses curley's wife to tells us that all the other men are playing cards because it emphasis that everyone is away, it is also the first time that we see Lennie on his own. And the reader senses that something tragic is about to ensue. Lennie doesn't understand things, a person can say almost anything to him. Unfortunately Curley's wife fails to see the danger in Lennie, and her attempt to console him for the loss of his puppy by letting him stroke her hair leads to her tragic death. After she lies lifeless on the hay, Steinbeck writes that all the marks of an unhappy life have disappeared from her face, leaving her looking "pretty and simple sweet and young." The novel has spent considerable time maligning women, and much has been
What Do The Audience Learn About Sheila Birling In Act 1?
What do the audience learn about Sheila Birling in Act 1? J.B Priestly first describes Sheila as a 'pretty girl in her early twenties, very pleased with life and rather excited'. She is of upper middle class, or 'new money'. Women in Edwardian times did very different things depending on what class they were in. Working class women worked in places such as shops, factories, mines and farms. Upper middle and upper class do not work at all. They will however, be seen doing charity work to look as if doing good for the town. Mostly their days are spent shopping and gossiping. Sheila is the only daughter of Mr Arthur Birling, who is a 'self-made' businessman. He runs 'Birling and Company' in Brumley. At the start of Act 1 the family are celebrating her engagement to Gerald Croft, who is an upper class businessman and part of a company called 'Croft's Limited', a company that rivals her fathers. The Birlings are delighted about Sheila and Gerald's engagement and Mr Birling says, "You're just the son in law I've always wanted". It becomes apparent they are happy for the wrong reasons. Arthur seems to be more interested in the money and his business then his daughter's happiness. As it goes along, it becomes increasingly obvious that Sheila is in charge of her relationship with Gerald. She says, possessively "I should jolly well think not, Gerald." When Mr Birling starts one of
Pygmalion. Bernard Shaw was trying to show the people of the early twentieth century that if they tried hard enough then they could also be successful like Eliza.
Matthew Jump 10D The writer of "Pygmalion", George Bernard Shaw, was born in Dublin in 1856 and died in 1950. Bernard Shaw based "Pygmalion" on a Greek myth about a sculptor who made a statue of his ideal woman and prayed to the Greek Goddess of Love, Aphrodite, to make the statue turn into a real woman. This was Eliza in the play. Bernard Shaw was trying to show the people of the early twentieth century that if they tried hard enough then they could also be successful like Eliza. At the beginning of Act 1 Eliza was on the street trying to sell flowers to passers-by. The Lady and her daughter were outside St. Paul's church, which was protecting them from the rain, which was coming down so hard and fast that they could hardly see anything through it. They were talking about a taxi and wondering where Freddy was, as he had gone to find a taxi about twenty minutes earlier. Eliza was walking towards the two women when Freddy came back without a taxi. The two ladies ordered him to go and find a taxi or he would be in trouble. As Freddy was leaving Eliza walked into him and then began talking to the two ladies. "Ta-oo bunches o' voylets tod into the mad" which was supposed to be "Two bunches of violets trod into the mud" but Eliza could not speak very well, as she had not had good parents to set an example for her as she was growing up. Mr. Higgins then came in and listened to
Hamlet - Act 1 Scene 4 Commentary
Act 1 Scene 4 Commentary This is a scene full of irony and foreshadowing and marks a defining moment in the play's plot. As Macbeth's inevitable future begins to take shape we see his transition from the hero, into the tragic hero. The scene opens with King Duncan asking about the execution of the former Thane of Cawdor, as he speaks to his son, Malcolm, he says, "There's no art to find the mind's construction in the face. He was a gentleman on whom I built an absolute trust." Duncan is essentially saying that he should not have put his full trust in him based on the way that he appeared and acted. Duncan's statement is an example of dramatic irony, because as the audience we know that Duncan's trust in Macbeth ultimately leads to his demise. Duncan continues by commending Macbeth on the battle won, and tells him that he owes Macbeth more than he can ever repay him. Little does Duncan know, in giving Macbeth the title of thane of Cawdor he is also giving Macbeth his throne and his life. The irony continues as Macbeth humbles himself by saying, "...our duties are to your throne and state children and servants, which do but what they should..." In other words, Macbeth is saying that just as a servant or child does as they should, so does he do all that he is capable of in the name of King Duncan. Duncan continues to commend both Macbeth and Banquo on their valiant effort
Analysing Stephen Spielbergs Directing Techniques In The Film Jaws
Analysing Stephen Spielberg's Directing Techniques In The Film Jaws In the 1970s Jaws was the scariest film around. For months afterwards people would be too afraid to go in the water, this was an age when dramatic devices were needed to create a spine chilling film without the use of special effects. Stephen Spielberg is one of the greatest movie makers alive today, and with a film like Jaws as a debute, his talent showed from the start. Some of the dramatic devices he used in this film were camera angles, non-diagetic and diagetic sounds, and colours to set the mood and atmosphere. The film is set on a small, idealistic island called Amity Isle, a tourist friendly, holiday hotspot that would never have expected danger to harm them in a million years, but a rouge shark they got! Who's out on a mission to eat every living thing around the Island and will stop at nothing to divert it from its feeding frenzy. The opening scene sets the film up dramatically, as the film starts underwater with the camera on a track, it is also a point of view shot, because it looks as if the camera was swimming through the water. Building suspense, the music starts off as a slow cello chord, like a heartbeat, gradually getting faster and faster until, suddenly, it changes scene. The colours used are blues and greens, serene and cold colours that, when used in this film, make the audience feel
Summary of characters
Summary of characters Elizabeth Bennet Elizabeth Elizabeth Bennet, Aged 20, she's the second-eldest of five daughters. Her father's favourite, she's intelligent, playful, spirited, witty and attractive, if not outstandingly beautiful. Elizabeth is independent of thought and stands up for herself, even to those far above her in social standing (Darcy, Lady Catherine). She can be impulsive (when she walks through the fields to visit Jane). Elizabeth is very loyal, loving and protective (her reaction to Bingley leaving Jane; Lydia eloping with Wickham). She makes bad errors of judgement (believing Wickham; prejudiced against Darcy). She can be mature (she realises the mistakes others have made in marriage; advised her father not to let Lydia go to Brighton). She's the romantic character of the novel. Fitzwilliam Darcy Mr Darcy Mr Darcy is a very shy man and doesn't enjoy many things that Mr Bingly likes, " Come on Darcy I must have you dance. I hate to see you standing in about yourself in this stupid manner. " e.g. dancing. " He's rich, powerful and from a very well-respected family and has more money than Mr Bingly. Mr Binglys wealth was passed on from his father however Mr Darcy wealth was self inherited and some cam from his father, He can be cold mannered and superior, easily offending people. Without realising it or if he meant to insult them purposely. The
What is the Importance of the setting in Rebecca?
With the exception of the opening chapters in Monte Carlo, Rebecca takes place at the country estate of Manderley. The fact that Manderley is built by the sea-side is a very important factor in the book of 'Rebecca' because Max de Winters late wife Rebecca drowned in the bay near Manderley so if there was no sea-side, then that would have changed everything. In the introduction of the book, author Sally Beauman explains that the setting of Rebecca was of personal importance to Daphne du Maurier as she was desperately homesick and longing for her home by the sea in Cornwall so she wrote a book about that type of place to 'ease the pain'. Also, Manderleys minutely detailed setting is clearly that of an actual house, Menabilly. Du Maurier and her husband both lived at Menabilly so when she went off to Egypt to write the novel, she wrote about her home. When the narrator is in Monte Carlo, the hotel is described and in my opinion, it seems like a very posh place. 'At the Hotel Côte d'Azur, she staked the claim upon a certain sofa in the lounge, midway between the reception hall and the passage to the restaurant and she would have her coffee her after luncheon and dinner......' This shows me that the Hotel Côte d'Azur is a very nice, posh place to be and this is important because it brings out the true personality of Mrs Van Hopper and her needs. When she is still working
Change Is Good, But Not Always - in A Lost Lady, Willa Cather uses the characters of Ivy Peters and Niel Herbert to show, based on their values, accomplishments, and behaviours, change overpowers stability in most instances.
Garret Albertson Professor Jessica Rabin English 112 5 March 2012 Change Is Good, But Not Always Word Count: 876 On the surface people want to change their very livelihood, but on the other hand people want to keep their lives in the same order as it always has. It seems like there is always a difference between stability in one's lifestyles, and changes in one's life. For example, when developers build a new shopping center many may oppose to it however the developer will most likely get their way and change will overpower. However, when the plans of the center get rejected, then stability can overpower. This is as such in the way of life, as one will fine themselves struggling to find stability among changes in their life. This can be said about Ivy Peters and Niel Herbert in A Lost Lady where they have different opinions on stability and change as Niel wants to keep everything the same while Ivy is all change. Therefore, in A Lost Lady, Willa Cather uses the characters of Ivy Peters and Niel Herbert to show based on their values, accomplishments, and behaviors, change overpowers stability in most instances. Ivy Peters has accomplishments that differ from Niel's in contributing to stability and change due to Ivy always wanting change in the town, and often times Ivy accomplishments do change people's lifestyles (mainly the Forrester's). For example, Ivy drains the