How does Shakespeare create dramatic tension in act 2 scene 2 of Macbeth?
How does Shakespeare create dramatic tension in act 2 scene 2 of Macbeth? Act 2 Scene 2 of Macbeth is a decisive scene in the play as it creates dramatic tension, conflict and controversy. There are many themes in this play: tragedy, the supernatural, love, dishonesty, betrayal and greed. Macbeth murdered Duncan to prove his masculinity for his wife and also his hunger for more power. Lady Macbeth wanted Duncan dead because of her greed and the witches' prophecies influence her. At the beginning of the play Macbeth is brave, content and loyal in contrast to his dark and sinister persona he adapts later on in the play. Whilst the main theme of Macbeth is one of tragic loss (in terms of the death of the King and indeed the loss of Macbeth's mental state), greed also proves to be an influential factor in the downfall of both Macbeth and his wife. It, ultimately, changed their actions and cost them their lives. At the beginning of the scene, Lady Macbeth is feeling confident. She says " What hath quench'd them hath given me fire", this indicating that she is feeling so powerful and inspired that nothing can stand in her way. Despite feeling confident, she feels agitated and remarks "Hark! Peace!" which demonstrates that she is concerned someone has been alerted to the couple's plans and will discover their wretched methods; this sudden feeling of concern contrasts with her prior
Is Iago The Perfect Villain?
Othello Essay 'Is Iago the perfect villain?' Few Shakespearian villains radiate evilness and jealously quite as much as Iago, the unbeknown nemesis of the play's title character, Othello. In other plays written by the bard of Avon the villains can come across as one-dimensional- weak, personified by a flaw in their genetic make-up or unattainable ambition yet Iago is a far more complex and compelling character. True, he has the power to both betray and murder those he once worked alongside, but Iago isn't the complete cold-blooded murderer in the same sense of Macbeth or King Claudius from Hamlet. True, he meticulously plans the death of Cassio but he plans it to be by hands of Rodrigo, his puppet. In the end opportunity presents itself to Iago and he seizes the moment to stab Cassio in the back but the blow fails to kill him. Iago also reveals a moral conscience through his three soliloquy's which I will explore in more detail later. In short Iago is like no other of Shakespeare's villains which makes him an utterly compelling and absorbing character. And like the other characters in the play, Iago delights in absorbing us, the viewer... The tragedy of Othello was believed to have been first performed in the early 1600's and is one of Shakespeare's more famous plays. The play is also rich in historical context and features the Moorish race heavily, leading many to believe
What are the different forms of deception that occur in the play and what is their effect?
What are the different forms of deception that occur in the play and what is their effect? Much Ado About Nothing, by William Shakespeare, is a play about misperceptions, love and the overall comedy of relationships. The main plot revolves around a young couple, Hero and Claudio, and the obstacles they must face in order to be together. The humour ensues when Benedick, a sworn bachelor, meets Beatrice, Hero's opinionated cousin, and from the very beginning they make their great resentment for one another extremely clear. Through the use of relationships in the play, Shakespeare shows the reader the many different forms of deception, and their positive and negative effects. One of the main examples of deception made evident in the play is deception of friends to promote love. This is shown when Don Pedro lets Hero and Claudio in on his plan to bring Beatrice and Benedick together: "I will teach you how to humour your cousin, that she shall fall in love with Benedick, and I, with your two helps, will so practice on Benedick." The effect is a positive one, as his plan works and the pair overcome their differences and end up falling in love. This is one of several examples of deception that is for positive, and helps the comic tone of the play evolve. Deception to cause harm is another form that is used in the play. This time Don John, the villain of the town, and Borachio, his
How does Shakespeare convey the theme of love and conflict in the Prologue, Act 1 Scene 5, Act 3 Scene 2 and Act 3 Scene 5 of 'Romeo and Juliet'?
HOW DOES SHAKESPEARE CONVEY THE THEME OF LOVE AND CONFLICT IN THE PROLOGUE, ACT 1 SCENE 5, ACT 3 SCENE 2 AND ACT 3 SCENE 5 OF 'ROMEO AND JULIET'? When writing about love and conflict in the play, I will focus on four parts of it; the Prologue, Act 1 Scene 5, Act 3 Scene 1 and Act 3 Scene 5. In each of them, I will look for love and conflict, and how is it related to many other things in the play, such us the development of characters or Shakespeare's dramatic style. The essay should help those who will read it understand what is hidden, or seems to be hidden, beyond Shakespeare's use of language, form and other things. All of my points are based on the different bits of the play and how I myself interpret them in relation to the theme. The whole play is introduced by the Prologue. In the 20th century film I saw with my class, the Prologue was given in the form of TV news, where a woman was introducing the story, as they usually do in the news, saying things like ''Three Italian soldiers died in Iraq in an explosion yesterday. Protests against the war rise.'' or ''Famous footballer X stopped playing football. Millions of fans wail.'', and then showing and speaking about the whole story. This quite well explains how the Prologue works. It tells us the destination of the story (''In fair Verona, where we lay our scene.''), explains who the story is about (''Two households, both
A letter from Lady Macbeth to her husband.
My beloved Macbeth, I can barely write as unrighteous tears cloud my eyes and blur my vision. Oh, my love, how I have battledwith my conscience and how my words 'our deeds must not be thought of ' come back to haunt me. Screams in my head paralyse my sleep and torture my wake. I can no longer live for fear of the truth being shared. Ever since I received that fateful letter I began plotting how we could speed our path to power. I should have let fate take its course instead of trying to take fate into my own hands. If I had done that then maybe the smell of Duncan's blood would disappear and perhaps I would not be writing this, my final letter. I remember the time when we were a young happy couple, so much in love, so much to live for. How long ago this all seems now. I wish we could return tothat happiness, but it is all too late. I have ruined everything you worked so hard for. You were a role model to everyone who knew you. Well respected, brave and loyal, you served your country and gained the trust of our king. He rewarded you well and would have rewarded you further, but now I' ve destroyed everything. I am filled with pain and anguish and hopeless despair and all I can offer you is that when I am gone it may relieve some of the guilt I have put upon your soul. I recall being overcome with emotion when you returned to me after the battle and you were given
Throughout the play Macbeth and Lady Macbeth together demonstrate how ambition can turn a loyal soldier into a bloodthirsty murderer
Throughout the play Macbeth and Lady Macbeth together demonstrate how ambition can turn a loyal soldier into a bloodthirsty murderer with his scheming and devious wife turning weak and disturbed as ambition slowly destroys her. Macbeth’s ambition to become king of Scotland turn’s him independent and ruthless. “The dead butcher and fiend-like queen”, is an accurate description as this is all they amount to. At the start of the play Macbeth is a loyal soldier returning from the civil war. The witches tell Macbeth that he will become Thane of Glamis, Thane of Cawdor and King of Scotland. The witch’s prophecies make Macbeth ambitious and tap into pre-existing ambition. Macbeth believes these prophecies as the first of his prophecies has been fulfilled. Afterwards the second prophecy is carried out. Immediately Macbeth thinks of murdering King Duncan so the third of his prophecies will be fulfilled even though he is horrified by the idea. Lady Macbeth’s greed makes her determined the third prophecy will come true. But believes Macbeth is not capable of murdering Duncan but will provoke him. When Lady Macbeth hears the news that that Duncan is coming to visit she believes it is the ideal opportunity to kill Duncan. Lady Macbeth calls on the spirits of darkness and evil to replace her nurturing and feminine qualities with remorseless cruelty. Macbeth is appalled of the
How Shakespeare portrays Romeo and Juliet in Act 2 Scene 2
How Shakespeare portrays Romeo and Juliet Act 2 Scene 2 is a particularly famous scene in William Shakespeare’s play, Romeo and Juliet. Often called the balcony scene, it is where the two lovers first meet to proclaim their love for each other. The balcony scene takes place after the ball in the Capulet Mansion, in Juliet’s orchard. The characters are presented in an unusual way, illustrating many recurring themes of identity, life and death, nature and love. The thoughts and feelings of Romeo and Juliet are conveyed through metaphors, enriching the reading or performance of the play. The actions and responses of others emphasize the division that is supposed to be between Romeo and Juliet and what makes it so moving is that we, the audience, knows what this division will bring about at the end of the play. The film by Baz Luhrmann of Romeo and Juliet enhances the visual experience and brings to life the metaphors used in a way that Shakespeare would have never been able to show visually. Shakespeare’s play contrasts with the societal views and expectations of young people and goes against the social norms expected in Elizabethan times. At the start of Act 2 Scene 2 Romeo, in a monologue, reveals his love and desire for Juliet as she appears at a window above him oblivious that Romeo is just beneath. The use of celestial imagery and mythological references are common
What is the importance of the Soliloquies in Hamlet? Do they show any development of his character?
AS Hamlet Coursework Essay Q. What is the importance of the Soliloquies in Hamlet? Do they show any development of his character? A soliloquy is a dramatic speech spoken by a character who is alone on stage, or believes themselves to be alone. This device allows a character in a play to speak directly to the audience about their motives, feelings and decisions. They reveal the characters innermost thoughts and traditionally contain no lies or deception as the character is revealing their true thoughts and emotions. Hamlet's soliloquies give the impression of a man discovering himself as he speaks. The importance of the soliloquies in Hamlet are therefore crucial to the development of his character and of course the development of the play. Hamlet's first soliloquy in Act 1 Scene 2, reveals that Hamlet is depressed to such an extent that he does not wish to live; these feelings emerge following the death of his father and the indecent swiftness of the remarriage of his mother to his uncle and, the new King, Claudius. 'O that this too too solid flesh would melt , Thaw and resolve itself into a dew...' Act 1-2-129/130 The word 'too' is repeated to enhance the emphasis on what Hamlet is saying; here the prince wants to vanish, he wants his body to melt away which provides the audience with a weak initial portrayal of
Is Hamlet a coward or someone driven by his conscience?
Is Hamlet a coward or someone driven by his conscience? Hamlet's character is interesting because of the way he goes about his revenge. Compared to Laertes he is very hesitant, a thinker, not a warrior. His delay is mainly due to his perception of the ghost, whether it is really his father's spirit or an evil apparition, but is he really thinking of an excuse to delay seeking revenge or does he want to be 100% sure King Claudius was responsible for the death of his father? The important thing that Shakespeare is trying to portray is that Hamlet seeks certainty before he can take action, but is he a coward? Or someone who is purely driven by his conscience? The opening scene of the play is designed to present the ghost and arouse questions about its credibility. Whether it is an evil or good spirit, the ghost is the mechanism which triggers the need for Hamlet's revenge. Hamlet's uncertainty about the identity and purpose of the ghost is highlighted in Act I scene IV, "Be thou spirit of health or goblin dammed", hence the importance of his thought sequences in deciding whether or not the ghost was real and if not, is there a need to kill Claudius? To seek this revenge he would have to kill Claudius and his mother, for they are both guilty of having impure souls. But one of the very first internal conflicts Hamlet has is when the Ghost tells him (Act I scene IV) "nor let thy
Shylock- Villain or Victim?
Shylock- Villain or Victim? During the play, Shakespeare illustrates Shylock's situation in such a way that the audience understands his villainous action towards Antonio is a result of victimisation. He is a victim of anti Semitism, including verbal abuse and even his own daughter insults him by robbing him and running away with a Christian and in the end he is a victim of not showing mercy and so suffers from that mistake. To find what makes up a classic Shakespearean villain one could look to Iago in "Othello". In this play he is seen as the embodiment of evil, that is to say he has no real motivation for his wicked actions and no one could give him any sympathy. On the other hand, Shylock does have a motive for his villainy therefore he is not a villain. Instead Shylock has been directed towards his position because he has been victimised. Shylock has been a victim of racial abuse, "You call me misbeliever, cut-throat dog, And spit upon my Jewish gabardine", "(Solanio referring to Shylock) Let me say 'amen' betimes for here he comes in likeness of a Jew", Solanio is anti Semitic, claiming Shylock is the devil. Because he is a Jew his situation in Venice is second-class. This is first seen in Bassanio's hostility towards him. At the beginning of the scene Bassanio's speech is short and prosaic indicating the lack of friendship between them, "Your answer to that", this
