Romeo and Juliet - how Juliet develops through the play.

Romeo and Juliet The Elizabethan society was patriarchal, meaning that men were considered to be the leaders and women their inferiors. Women were regarded as "the weaker sex", not just in terms of physical strength, but emotionally too. It was believed that women always needed someone to look after them. This is when our play is set so in theory Juliet should obey rules, but as we find out she does not always obey the times of the day just because she is a woman. Throughout this essay, I am going analyse the transformation of Juliet. The Prologue tells us that the prince is effectively wasting his time even thought he does not know it. So this shows the theme of destiny, linking to the prologue: "star cross'd lovers." This tells the audience that the pair of lovers are not meant to be together even before the play starts. We know from the start that she is going on a journey that will result in her transformation Juliet's character in the beginning of the story conveys that she is a very obedient child, this is illustrated by, "Madam, I am here what is your will?" This conveys that Juliet is devoting herself to whatever may be asked of her. Also, the word "Madam" tells us that her family is of higher status in her house than others, so she is respectful and selfless. In this scene Juliet is also referred to as a lamb: "I bade her come, what lamb." This reference to a

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Much Ado About Nothing - Which man would you prefer to marry? Benedick or Claudio? Consider the ways in which each is presented before coming to a decision.

Laura McPherson 11.4(7) Shakespeare Coursework - Much Ado About Nothing Which man would you prefer to marry? Benedick or Claudio? Consider the ways in which each is presented before coming to a decision. Benedick and Claudio are the main male characters in the play. They are very contrasting in their action, words and approaches to love, which is shown throughout the play. The first impressions we have of each are derived from their entrance and first words from Act1, Scene 1, when the soldiers have returned from war. Benedick shows he is a witty and somewhat cocky character from even his first line, in which he and Leanato are joking about the fact that Hero is Leanato's daughter. Leanato says 'Her mother hath many times told me so,' Benedick's reply being 'were you in any doubt, sir, that you asked her?' (1:1:79), showing his quick-witted and light-hearted nature. Claudio's first words however, speak of Hero, 'the daughter of signor Leanato' and he makes known to Benedick that he thinks she is a 'modest young lady' (1:2:119-121), meaning she is sweet and he likes her a lot. As the play continues we begin to establish more of the men's characters. The remainder of Act 1, Scene 1 shows Benedick's objections to love, for example his comment 'shall I never see a bachelor of three score again' (1:1:147) suggests that to him it seems all young men decide to get married

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Compare and contrast the images of love in: Act I Scene V, Act II Scene II and Act V Scene III

Romeo & Juliet Coursework Compare and contrast the images of love in: Act I Scene V, Act II Scene II and Act V Scene III The play "Romeo and Juliet" by William Shakespeare is a romantic tragedy set in Italy. It tells the story of two "star-crossed lovers" and how they fall in love, but then die as a result of this. The play is filled with various images of love to display the relationship between the two main characters, Romeo and Juliet. The complex images used by Shakespeare are a reflection of the play itself and the experiences of the characters. Shakespeare displays love through many different images. Throughout the play, religious imagery, the contrast between light and dark, nature, death and many other images are used to express the emotions between the characters. The reason for displaying love through images, and not just plainly, is that by using imagery, the love and the particular phrase becomes more memorable, and therefore powerful. The three scenes that will be compared are: Act I Scene V, Act II Scene II and Act V Scene III. Act I Scene V is where Romeo and Juliet first meet at Capulet's party. They talk to each other and share their first kiss. Act II Scene II is commonly referred to as the 'balcony scene' and is the setting for the second meeting between Romeo and Juliet. Here they decide that they will get married to each other the next day. Act V Scene

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Much Ado is a play of wit, deception and slander. Although the play consists of many other themes, nature is probably

The contradictions of Human nature "Much Ado about nothing" is all about nature. The word nothing is derived from noting, the Elizabethan pronunciation. The central importance of noting, eavesdropping has been remarked. Much Ado is a play of wit, deception and slander. Although the play consists of many other themes, nature is probably the most significant topic. Shakespeare has explained nature exploring a variety of different techniques. Much Ado is a romantic comedy and also a probable sharp attack on superficial society. At the beginning of the play Benedick imposes the dullness of marriage, which is quite ironic as he inevitably becomes "Benedick the married man." Beatrice however occupies an obsession with death because of her entrapment within a court she cannot respect. She has no patience with all the military hyperbole and the dominion of men thus she has segregated herself from all the courtly ceremony and custom. The play is claustrophobic as spies are hidden in its many rooms. Scenes of togetherness in one room are followed by those of conspiracy in another, which emphasises human isolation and vulnerability. In other words actions mean consequences. Claudio's conventional lover's exaggeration to Hero indicates his estrangement from his natural desires. The denunciation scene takes place at the altar of a chapel, which exaggerates the huge power of

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How far are the witches responsible for Macbeth's downfall?

How far are the witches responsible for Macbeth's downfall? The witches are quite a main part in the play 'Macbeth' and are seen as the main or only contributors towards Macbeth's downfall. However, I believe that there are other possible contributors including Macbeth himself. Lady Macbeth can also be seen as a possible contributor as she thought of the evil plan by herself without conferring it with Macbeth. The weird sisters would be seen as 'evil' in the play especially for the contemporary audience. This is because in Shakespeare's day, they were all Protestants so thought that witches were evil and should be damned to hell. They were seen worse than rebels. They were not only political traitors, but spiritual traitors as well. When we first see the witches (weird sisters) in Act One Scene One, we as the audience do not know what they are or where they have come from. However, because of the surroundings and the atmosphere we see them as 'evil' and keep this assumption throughout the play, '...the fog and filthy air.' Even Macbeth and Banquo are unsure about the sisters' identity when they meet them on the heath in Act One Scene Three, 'That look not like th' inhabitants o' th' earth...' Macbeth is given three prophecies when he first meets the weird sisters, 'All hail Macbeth...Thane of Glamis...Thane of Cawdor...King hereafter!'(Act One Scene Three) At first, he

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How does Shakespeare present the developing relationships of the lovers in the play?

How does Shakespeare present the developing relationships of the lovers in the play? Shakespeare wrote in a time of theatrical excellence, his love of language and sense of theatre aided him in the production of countless plays and poems. Much Ado About Nothing is a play of love and war, with a twist of comedy to lighten the tension ensuring the audience does not become overwhelmed with the emotions of the characters. According to the Elizabethans, a woman's aim was to be a good wife, as their ultimate goal was marriage and their status was to be 'seen and not heard'. Shakespeare's intention was to show two contrasting women, Beatrice and Hero, and to demonstrate how they deal with the pressure of a male dominated world. Because of her wit and determined outlook on life, Beatrice is accepted in the male community but is thought to be obdurate by most men. Whereas Hero, has a submissive attitude to life and this is exposed early on; Act 1 Scene 1 she does not speak throughout the entire scene until she is spoken to. Hero portrays the accepted standard of a woman of her time, which she is expected to do, as she is the daughter of the governor of Messina. During the play the men's dominating power draws to a climax, and the men unite and condemn Hero and despite her independent outlook, Beatrice cannot express her deepest feelings. Even Hero's father briefly rejects her because

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Is Prospero a power obsessed tyrant or an egalitarian?

Is Prospero a power obsessed tyrant or an egalitarian? The play 'The Tempest' portrays one mans fight to bring justice to those who have betrayed him in life. This character, Prospero, once the rightful duke of Milan, was overthrown by his brother, Antonio, and is now hell bent on seeking revenge. Throughout the play, there are elements of tyranny, egalitarianism and autocracy. Although these three elements are present, it is my opinion that Prospero is overall an autocrat. I will now explore the character of Prospero and show why I believe this. Prospero and his daughter Miranda where set adrift into the Mediterranean Sea after he was overthrown. Once Prospero arrived on the island, he immediately imprisoned two people, Ariel, an airy spirit, and Caliban, a monstrous creature. Ariel her self had already been imprisoned by Sycorax, an evil witch, when Prospero reached the island. When he found her, Prospero freed her but in return made her his magical slave. Although Prospero has imprisoned Ariel he is not tyrannical in his nature. He has not used force or death to manipulate her and cannot therefore be branded a tyrant. Prospero also says 'I will discharge thee', when his work has finished. If he is willing to free Ariel after her purpose is served then he is not being tyrannical in imprisoning her as a tyrant would not free one of his captives. He cannot be an egalitarian

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Prospero is a powerful character. What impression does the audience get of Prospero in Act 1, Scene 2?

Prospero is a powerful character. What impression does the audience get of Prospero in Act 1, Scene 2? Prospero throughout the entire play has the power over everyone on the island. He maintains this power through the use of his magic and thus gains supremacy over the natural world. He also has a parental authority over his daughter, and this is illustrated in Act 1, Scene 2 when he tells her about how they came to be on the island. Prospero also has control over Ariel, due to his magical powers and also due to the fact that Ariel feels indebted to him for rescuing him. Prospero's authority could lead the audience to see him as a dictator. However, it is important to analyse Prospero's power to gain a balanced view of what the audience would conclude. At the beginning of Act 1, Scene 2 we find Miranda and Prospero on the shore of their island, looking out to sea at the recent shipwreck. Miranda asks her father to do anything he can to help the poor souls in the ship. Prospero speaks gently saying, "tell your piteous heart there's no harm done", and then assures her that everything is all right and that he has done "nothing but in care of thee". He goes on to tell her that it is time she learned more about herself and her past, saying "'Tis time I should inform thee further". He reveals to her that he orchestrated the shipwreck and tells her the lengthy story of her past.

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What are your first impressions on Hamlet in Act I scene II?

What are your first impressions on Hamlet in Act I scene II? The first impressions on Hamlet vary with the audience, as some people see him as a misanthropic character, whereas others see him as a character of dignity, intelligence and sensitivity, also someone beyond his time. The atmosphere he provides though is very distressing, not only towards the audience but towards the characters, especially his rival Claudius. He can be seen as someone who separates the idea of reality and appearance. Everyone sets the allegiance towards Claudius their king, except Hamlet, when everyone has removed their mourning clothes except Hamlet, who is still wearing his "nighted colour," and Gertrude asks "Why seems it so particular with thee?" Hamlet responds to her question by using the word "seems", which Shakespeare used to represent appearances, and Hamlet says it twice in a single sentence, and he says he cannot pretend, but rather, must be what he is. Shakespeare might have intended to use "seems", because the idea of appearances is important, as I mentioned, but to show how Claudius might be the antagonist. His mood shows how misanthropic he can be, but also can be seen as sensitive by other people, as he has taken the 'forms, moods, shapes of grief' which are true for him. Though his emotions may seem to be those of an actor due to Gertrude's viewpoint, he is not acting at all,

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How do Hamlet's Soliloquies reveal his Changing thoughts and Moods throughout the play?

How do Hamlet's Soliloquies reveal his Changing thoughts and Moods throughout the play? The play Hamlet is basically about life and death. We see this through the character Hamlet. Hamlet's character is not one dimensional, their are many sides to his personality. We can tell this by the way his mood varies throughout the play. Only in the soliloquies does Hamlet reveal his true self, and we 'the audience' begin to develop a better understanding of his complex character. A soliloquy is a speech in which a character (in this case Hamlet) reveals to the audience his thoughts and feelings which he is unable to express to other characters in the play. So in other words, soliloquies give a voice to Hamlet's thoughts. This is why soliloquies are so important, because a character can express his most inner thoughts with out judgement from fellow characters in the play. The three soliloquies I have studies are like signposts in the play. They guide us through Hamlet's mind at different points in the play. The main focus of my analysis will be on different actor's interpretations of this play, as well as the actual content and language of these three different soliloquies. The first soliloquy I am studying is in act one scene two. In this first soliloquy Hamlet talks about how if it wasn't for god's laws (sixth commandment, a religious law), he would committee suicide. This is due to

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