Gillian Clarke's

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CATRIN

Gillian Clarke's "Catrin" tackles one of the well-considered themes in feminist writing - the mother-daughter relationship. The  of the relationship that Clarke explores here is the bond ("rope") that ties them together and from which they try to free themselves from the very beginning, even before birth. Freeing yourself as an individual within a relationship must result in  on both sides, which is what the mother and daughter in "Catrin" are experiencing now. The question we ask ourselves here is, when does the struggle begin?

Notice how the speaker uses monosyllables to describe the 'tight, red rope'. The effect of this is to make a tight sound and to perhaps simulate the mother's breathing patterns during birth, which are short breaths outwards.

There is a striking  between the white, sterile room and the red rope, which is literally red, as it is covered with blood. This has the effect of making the 'red rope' memorable against the white backing. It also emphasises the neutral nature of the room as opposed to the battle of wills, love and pain that goes on there. 

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Perhaps 'circles' suggest the shape of the birth canal through which the baby emerges. In shape they contrast with the squareness of the room. 'Wild' suggests to us that the struggle is intense and painful, almost out of control, yet paradoxically it is 'tender' at the same time. 'Tender' might refer to the type of physical sensation the speaker feels, or it could refer to the sort of love between the mother and the baby.

Perhaps the speaker did, but I think she is arguing on a metaphorical level here. We must not forget that this is a 'confrontation', and ...

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