How do the writers present the relationship between parents and children? What issues do they deal with and what do they seem to expose?

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How do the writers present the relationship between parents and children?

What issues do they deal with and what do they seem to expose?

Introduction

‘‘Pride and Prejudice’’ was written by the English author Jane Austen and was published in 1913.  In this novel Jane Austen portrays the quiet, day-to-day life of members of the upper middle class.  Her works combine romantic comedy with social satire and psychological insight.  

        ‘Your Shoes’ is set in a modern day society and is written by the Author Michele Roberts.  ‘Your Shoes’ is a poem about a daughter who has run away from home.  In this poem the shoes symbolise the narrators daughter, because as long as she can see and fell the shoes then she feels a connection to her daughter.

        The key theme in both these stories is the theme of parental relationship, as they both differ in social class systems, as with ‘Pride and Prejudice’ the social class system was well-versed in the intricacies of class behavior.  In those days face to face exchange among the elite was not random utterance but virtuoso exercise.  Whereas in ‘Your Shoes’, social class systems are not considered as highly and much more freedom is given, than in the Victorian times.

The writer in ‘Pride and Prejudice’ presents the relationship between the parents and daughter as some what crude, as the mother seems to more interested in marrying off her daughters and materialistic wealth and happiness than her own daughters blissfulness.  The conversation between the mother and daughters is lively but she is not really interested in what the daughters have got to say.  The mother always seems to answer for her daughter, “ Yes, certainly.  I am sure Lizzy will be very happy, I am sure she can have no objection.”

        The writer does this to show us how headstrong the mother can be, and also to show us that in those days women were not aloud to think for themselves and that decisions were made for them.

        In ‘Your Shoes’, the bond/ relationship between the mother and the daughter is not good, this shows that the mother has her own complex problems to deal with.  The relationship is fraught with anxieties and emotion.  There is a lot of secrecy between the mother and the daughter and the mother often spies on her daughter to see what she is doing, as the communication between them is very touch and go, as the daughter never actually tells the mother what is going on inside her head and so has to do things in secrecy.  This would make the reader think that there is not a bond between the mother and daughter, “Daughters ought to be close to their mothers.”- Line 104.

        The relationship between the father and daughters in ‘Pride and Prejudice’ is somewhat different as tends to be more attentive to his daughters.  When Mr. Collins asks Elizabeth to marry him and she refuses Mrs. Bennet is in uproar.  She goes directly to Mr. Bennet with her concern.  Mr. Bennet immediately defends Elizabeth telling her that an unhappy alternative is before her and that from this day she must be a stranger to one of her parents, because he says that her mother will never see her again if she does marry him and that he will never see her again if she does marry him.  This makes Lizzie laugh, and puts out a satamatical view to the audience as he simply is defending Lizzie, knowing that she is very headstrong in his own humorous way.

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Trust is also another issue in ‘Your Shoes’ between the mother and her daughter, as there is no trust between her daughter really, as the mother tends to spy on her daughter and goes her daughter’s bag finding cigarettes. “I’d catch you raiding the kitchen cupboards” – Line 44.

“Then I found out that you drink alcohol at parties and smoke.” – Line 100.   This has an effect on the reader as it makes the reader think about every day family life that the mother and daughter go through, which is filled with dishonesty and untrust.

        In ...

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