How do William Blake and William Wordsworth respond to nature in their poetry?

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Yazan Honjol 10B

How do William Blake and William Wordsworth respond to nature in their poetry?

The Romantic Era was an age, which opened during the Industrial (1800-1900) and French Revolution (1789). These ages affected the romantic poets greatly by disrupting and polluting nature. Before the Industrial Revolution, William Blake wrote about Songs of Innocence. He also wrote Songs of Experience but after the Industrial Revolution.  William Wordsworth, on the other hand, continued on an optimistic route and ignored the Industrial Revolution in his poems. He instead wrote about nature only and its beauty. Previous Augustan poets were more controlled and rule governed. They were also concerned with order.

   

In Blake’s ‘London’, he describes the city as being dirty and restricted giving a pessimistic image, whereas Wordsworth describes it as a beautiful and free city giving an optimistic image. Blake shows how in his point of view, he thinks the city is controlled, “Near where the charter’d Thames does flow.” The adjective ‘charter’d’ illustrates how the Thames is under control. Blake also talks about how the people's minds are not free to think, “The mind-forg’d manacles I hear.” The noun ‘manacles’ describes people’s minds as being chained and controlled like slaves and prisoners. ‘London’ is set in the night time which straight away makes you think about the city being drowned in darkness, “But most thro’ midnight streets I hear.” The adjective ‘most’ shows us how nearly everything occurs at night. The darkness also shows us how there is a feeling of secrecy.

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On the other hand, in ‘Composed upon Westminster Bridge’, Wordsworth shows in his perspective that nothing is controlled in the city,”The river glideth at his own sweet will.” The verb ‘glideth’ shows how the river is uncontrolled and ‘own sweet will’ emphasizes the way the river flows freely. Wordsworth talks about the mind being free and relaxed, “Ne’er saw I, never felt, a calm so deep!” The adjective ‘deep’ shows how immense the tranquility is. It also shows how the poem is personal, “Ne’er saw I.” He sets the scene in the morning, creating ...

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