How Does Alan Bennett achieve both a sense of tragedy and humour in his 'Talking Heads' monologues?

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How Does Alan Bennett achieve both a sense of tragedy and humour in his ‘Talking Heads’ monologues?

     Alan Bennett uses a variety of techniques to convey a sense of both tragedy and humour in his ‘Talking Heads’ monologues. I will be looking specifically at ‘Bed Among The Lentils’ and ‘Cream Cracker Under The Settee.’ Alan Bennett achieves both of these effects by use of several clever choices regarding the casting as well as sound and visual effects.

   There are two very different types of humour in ‘Bed Among The Lentils’ and ‘Cream Cracker Under The Settee’. BATL uses a lot of sarcastic, bitter humour whereas CCUTS uses some wry, discreet humour and at times Doris, the elderly woman in CCUTS, seems to be mocking herself

“Love God and close all gates.”

“I ought to put a note on the gate. ‘Not my leaves.’

   The second example gives the impression that she is almost embarrassed by having leaves in her garden and feels that people must acknowledge the fact that they are not her leaves.

   Susan mocks other people and not herself “Big day for you”, she says this to Mr and Mrs Belcher as they carry out simple tasks. This shows that she is bitter, resentful and patronising towards them; this may be because she is jealous of them as they are receiving thanks and affection from Geoffrey – something she rarely gets.

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   Whenever Doris uses humour she changes her tone of voice but keeps her facial expressions the same throughout the piece. Whereas, Susan changes her facial expressions and looks directly at the camera for humorous points. However, she only changes the tone of her voice when she is imitating someone. This shows the age difference and mobility of each person as Doris is in a very frail condition.

   Alan Bennett also manages to include some tragedy in BATL and CCUTS, this contrasts well with the humour in both pieces.

   Susan is a very sarcastic and bitter ...

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