As the novel progresses we learn that Kabuo’s arrest stems from prejudice and not fact. The islanders appear willing to convict a potentially innocent man. Horace Whaley originally suggests that Art Moran “look for a Jap with a bloody gun butt”, based on Carl’s head injuries. Ishmael’s mother later admits, “They arrested him because he’s Japanese”. Although Guterson originally invites the reader to doubt Kabuo’s innocence through the overwhelming evidence put against him by Alvin Hooks, when his innocence is proven it is clear his trial is founded in fear and distrust.
The Americans clearly fear the Japanese as well as distrust them. Kabuo’s deportment in court is used against him and he is seen as proud and detached, ‘some…would later say his stillness suggested a distain for the proceedings’. The general assumption is of his guilt and most have already predetermined the outcome:
‘…others felt certain it veiled a fear of the verdict that was to come’.
The other plotline running simultaneously to that of Kabuo’s trial is the relationship between Hatsue and Ishmael. Their relationship not only highlights fundamental differences between the two races, such as the introverted and almost repressed nature of the Japanese in contrast to the confidents and gregarious Americans, but also highlights society’s attitude towards their relationship. After the bombing of Pearl Harbour the anti-Japanese feeling increases, creating more obstacles for Hatsue and Ishmael. Hatsue appears more aware of the racial divide than Ishmael and she understands the inbuilt prejudice inside the Americans.
‘ “Look at my face…look at my eyes, Ishmael. My face is the face of the people who did it…We’re going to have trouble.” ’
The general panic in the aftermath of Pearl Harbour lead the inhabitants of San Piedro to see the Japanese, previously as merely unwelcome, as traitors and spies. They see malice in everything the Japanese do. The strawberry fields ‘planted in rows pointing straight toward the radio transmitter’, usually a symbol of harmony between the Japanese and the Americans, are now seen as a tool to send signals to Japanese spies.
The injustice of Kabuo’s trial is echoed in the mass relocation of the Japanese to war camps such as ‘Manzanar’. This evacuation was prompted by American fear and distrust towards the Japanese. All of the Japanese were seen as a potential threat; therefore all were forced to leave San Piedro. This blatant racism and the arrests of innocent Japanese men, based on nothing more than facial differences, shows the strength of feeling on a small island like San Piedro.
The depersonalisation of the Japanese is humiliating and unfounded. However, the general treatment of the Japanese on the island before the relocation also treated the Japanese as one entity, rather than as human beings. Guterson describes earlier on in the novel how a census taken in 1883 ‘neglected to list them by name’ and instead referred to them as ‘Jap Number 1, Jap Number 2’ etc. We learn that the oppression of the Japanese is deep-rooted and the climax of this prejudice, resulting in the mass evacuation of all those of Japanese ancestry, is the result of over fifty years of distrust and hostility.
Guterson creates many blatantly racist characters in the novel such as Etta Heine and Horace Whaley. One lesser-known character, Private Gerald Willis, clearly displays the strength of hatred towards the Japanese in the height of the war:
‘[He] had propped the boy’s penis up…and shot carbine rounds until he’d blown the head of it off.’
This is shocking for a reader and effectively shows the animosity felt by the Americans towards the Japanese. Guterson also constantly uses derogatory language, such as referring to the Japanese as ‘Japs’ throughout the novel, to indoctrinate the reader into the mindset of the Americans. The loathing of the Japanese at certain points in the book is palpable, through Guterson’s explicit and brutal language, “there ain’t nothing left there but sand and bullshit and a whole lot of little Jap pieces”. The alienation of the Japanese people is clear throughout the novel, creating a sense of distance, and sympathy, between the reader and their plight.
