How does Shakespeare in his final act of "Much Ado About Nothing" put all the pieces of the puzzle together revealing every characters true nature?

However, the final act is one of revelation. Not only does it put all the pieces of the play together but also exposes the true nature of the characters as well. To start with Hero is technically brought back to life both literally and metaphorically (as the false accusations are lifted). Her sanctity is preserved. However, she again appears to be a mere puppet of the patriarchal society as she readily agrees to marry Claudio and doesn’t even question her father.

Claudio has lost respect in the eyes of the audience and his reputation takes one final hit as he appears to be a superficial human. He readily agrees to marry Leonato’s daughter, thus showing that he as a person doesn’t believe in true love. However, when he sees Hero, there is again a complete volte-face in his behaviour and seems to have fallen in love with Hero again. However, it is needless to say that this love is superficial as that is all that Claudio is capable of.

Don Pedro who has remained quite all this while and has not put the powers vested in him to good use also somewhat redeems himself by repenting at Hero’s grave. Don Pedro is a mature and discerning character. However, during the play, the circumstances surrounding him cause him to take irrational decisions. However, in the final act he is quick to understand the situation when Benedick informs him that Don John has fled Messina and when he sees Borachio and Conrad bound by the watch.

Leonato, a victim of self-deception like Claudio, thinks of himself as someone very righteous but doesn’t appear so in the church scene when it is most needed. Leonato also makes an unreasonable decision of ‘giving away’ his daughter to Claudio, the very man who had openly slandered her. The norms of the patriarchal society are so deeply ingrained in him that he fails to be a sensible character. This is seen especially when he easily forgives Don Pedro and Claudio but holds Margaret responsible as he says, ‘So are(innocent) the prince and Claudio who accused her upon the error that you heard debated. But Margaret was in some fault for this.’

The merry war also comes to an end as Beatrice and Benedick decide to marry each other however not without a final war of wits as both claim to love each other only to the extent that is reasonable. Their love is passionate and is deep-rooted unlike the courtly love of Claudio and Hero. This couple appears to be the stars of the play as they are probably the only characters who manage to maintain a good reputation in the eyes of the audience though initially both appear to be very garrulous in their demeanour.

Don John along with his villains is help prisoner and their villainy is also brought to light. The minor characters also make short appearances in this act. Dogberry manages to pull off another set of malapropisms and entertains the audience with slapstick humour. The image of Dogberry being a bumbling idiot remains constant.

The play comes to an end putting all the suspense and deceptions to rest. Though the play is a sunny comedy, there still remains contention over how happy the ending truly is considering that Hero has been asked to remarry Claudio. Also, the friendship between Benedick and Claudio has taken a turn for the worse. Clearly Don Pedro is also somewhat depressed as he is the only person who remains a bachelor and had earlier showed some sparks of attraction towards Beatrice. However, these our minor issues which are resolvable. The major issues have been resolved and the characters have also matured over the course of the play. Thus, it can be conclusively said that the play ends on a merry note.

Act 5 serves as a well organised denouement as all the pieces of the puzzle are put together and the true nature of every character is revealed.