Chapter 6.
Kingshaws attempts to escape through Hang Wood are described in great detail in this chapter, introducing also a strong element of suspense as the chapter unfolds. The conflict between Kingshaw and Hooper now has a basic, elemental quality in that they are entirely alone with each other in the world of nature, rather then he domestic environment of Warings.
There is a great deal of precise, detailed observation in this chapter and the journey deeper and deeper into the woods helps Susan Hill make further points about Kingshaws predicament.
Chapter 7.
In this chapter which is seen almost entirely through Kingshaws eyes, the conflict between the two boys deepens, but in a paradoxical way they became closer to each other, physically and emotionally. Hooper’s insecurity outside of his home is evident while Kingshaws confidence and resourcefulness play a significant role in the chapter.
The long chapter allows the initiative to move from Hooper to Kingshaw on a number of occasions. As you read on Susan Hill shows us how the two boys respond during the thunderstorm, a major event in this chapter. Hooper weakness comes as a surprise to Kingshaw, proving that Hooper is also weak at times and has weaknesses. The chapter takes various twists and turns with both attempting to become the leader or more dominant of the two boys.
The chapter is of crucial importance in the novel and shows the two boys in a hostile environment, trying to cope the best they can. We see it all from Kingshaws point of view throughout which gives it a filmic quality.
Chapter 8.
This chapter extends the narrative of the previous chapter and shows us the increasing confidence of Kingshaw in contrast to the apparent weakness of Hooper. The two boys have drawn closer together in a joint strategy of survival. In terms of the plot, this enables Susan Hill to offer the reader the prospect or idea of the two boys becoming friends.
Little happens in this chapter, and it is made up almost entirely of dialogue between the two boys. For the novel to be successful, the writer must ensure that all its features are convincing to the reader.
Chapter 9.
This chapter, the last in the woods, builds on the previous four and allows the beginnings of a bond to develop between the two boys. The natural world in the morning light is now no longer hostile and for Kingshaw there is a definite sense of confidence in his surroundings and also with Hooper.
The end of this chapter is also the end of an extended narrative sequence that began in chapter 5.
Although Kingshaw and Hooper have not become real friends yet it appears there is a possibility of a friendship still developing at this stage due to Hooper’s apparent kindness towards Hooper is this a sign of things to come?
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By Will Bush
