In Romeo and Juliet there are lots of opposing themes. Explore how the themes of life and death are presented throughout the play.

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Kelly Ide 10G                                                                        10/04/2003

In Romeo and Juliet there are lots of opposing themes. Explore how the themes of life and death are presented throughout the play.

From the beginning of Romeo and Juliet we are introduced to the themes of life and death, death in particular. In the prologue we are told that the play will result in two deaths, those of the “star-crossed lovers”. We are also told that “ancient grudge break to new mutiny”, which again informs the audience of the fate the play is bound to. The “new mutiny” is shown in Act 1 Scene 1 when Abram, Sampson, Gregory and Tybalt fight, the reason being that they are from the opposing houses, which bear the “ancient grudge” that the prologue described to the audience. Tybalt, from the Capulet house challenges Benvolio of the Montague house. Tybalt is described as “fiery” and he says to Benvolio “Turn thee, Benvolio, look upon thy death”, believing Benvolio to be involved when he in fact was attempting to cease the fighting. This scene is used to great affect, as it is shows the conflict between the houses at the beginning of the play to ensure the audience know of the conflict, and will later comprehend that it is the cause of all the deaths throughout the play.

Prince Escales of Verona eventually stops the fight, and informs Lords Capulet and Montague that, should there be another brawl, “Your lives shall pay the forfeit of the peace”. The message is clear both to the audience and the characters, and it is showing how death is a punishment. This scene is split into two halves; the fight, which revolves around the theme of death, and Romeo’s conversation with Benvolio, which is referring to life. We are informed that Romeo has been creating artificial nights for himself and that he “private in his chamber pens himself”. He is melancholy, and when Benvolio seeks the cause of his sadness, he discovers that Romeo is “Out of her favour where I am in love”. He is discontent with his life, and feels that it is worthless without Rosaline. At this point in the play he does not realise how terrible death is, and thinks it a better option than being melancholy. This shows other people easily affect him, and also that he is unaware of the pain of death and the effects it can have. This is the first of many links between love and death during the play, and Benvolio claims he will “die in debt” if he cannot teach Romeo to forget Rosaline and love another women. This gives the image of death being a repayment of debt created within life, closely linking the two.

The next time death appears in the play is when Benvolio compares women to poisons, and says to Romeo, “the rank poison of the old will die”. This portrays the image that women are the cause of ill health and death. This is ironic because at the end of the play Romeo does die from a poison, and he takes it because he cannot be with the women he loves. This is one of the many prophetic images Shakespeare uses throughout Romeo and Juliet, all of which are used to great affect. Another example is in scene four, where Romeo voices his fears of an “untimely death”, and feels that if he enters the Capulet’s ball it will bring about his death, which is true as it is at the ball he meets Juliet. Had he trusted these predicaments, he would not have met Juliet, meaning he would have had no reason to kill himself.

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At the ball, Tybalt sees Romeo, and wishes to “strike him dead”, but Capulet will not allow this, as he does not want to spoil the party. When Romeo finds out Juliet is a Capulet, he is distraught, and claims, “my life is my foe’s debt”. He believes that his life is owed to his enemy, and that he would be happier dead as he cannot be with Juliet.  Juliet also says she will die if she cannot marry Romeo, which is another example of irony, as in the end of the play she does die, and mainly because she ...

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