King Lear - Act 1 scene's 1 and 2 give us clear indications of the motivations and the personalities of the central characters found in the play

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Act 1 scene’s 1 and 2 give us clear indications of the motivations and the personalities of the central characters found in the play

        The opening scenes to the play establish the main characters well for the duration of the play.  There are two main plots, which involve most of the main characters.  The main plot consists of King Lear dividing his kingdom up between his three daughters, Gonerill Regan and Cordelia.  However one, Cordelia, does not receive any land.  The plot then entails the aftermath and the problems that follow such a mix up.

        The sub plot, containing Gloucester, Edmund and Edgar mirrors the main Lear plot.  This story is about Edmund being the bastard son and the way he deviously tries to con his father into giving him his wealth.

        The first two scenes show us how similar the two plots are.  We are beginning to see that Lear’s family harmony is in jeopardy, as is Gloucester’s after Edmund’s cunning plan to split up the devoted father and son.  There is another similarity where Gloucester’s swift rejection of Edgar reflects the way that Lear rejects and banishes Cordelia.  

Gloucester is an influential character and opens the play talking to Kent and his bastard son, Edmund.  He is very cruel and abrasive to his bastard son, Edmund.  He apparently “blushes to see him” because he is so disgraced of the “whoreson”.  Although “there was good sport at his making” Gloucester still sends him away to study.  He seems extremely rude to mock him openly in public, while he is present.  This attitude was not uncommon in the Elizabethan period.  However it would have shocked the lower classes that a man with such class and stature would treat his son that way.

He shares many qualities with Lear and they put themselves in the same situations.  They are both complacent fathers, used to assuming authority.  They both react rashly when they suspect their offspring of rebelling against them.

Gloucester’s rashness is shown when Edmund shows him the false letter as mentioned later on.  He immediately goes ballistic and demands that his son be “apprehended”.  Edmund persuades him against this and agrees to let Edmund “frame the business” of discovering the truth about Edgar’s feelings.  

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He seems to be motivated by action.  He is a character that likes to be in the middle of things and be doing more than one thing at the same time.  For instance he seems to come alive when the situation arises with the dividing of the kingdom, the letter incident and the plot to frame Edgar.

Edmund is introduced to us at the start of the play as the bastard son.  When Kent talks to him, he answers him very politely and very respectfully.  He does not seem to mind the open mocking and taunting.  This silence is symbolic, ...

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