MERCHANT OF VENICE-JEWS AND CHRISTIANS

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Samuel Cole  5 Campion

Coursework: Shakespeare's Portrayal on Judaism and Christianity Represented in The Merchant of Venice

      Although Jesus Christ himself was born a Jew, there have been battles between Jews and Christians for 2000 years. This being due to the fact that Romans, who then ruled the area where they lived (Israel),tried to destroy the Jewish faith. To escape persecution, many Jews fled. In doing so, they became successful in trading and usury alike. However this success, led them to being greatly disliked, especially in Christian countries. They were not allowed to own land neither were they applicable for employment.
    The merchant of Venice is a play written by William Shakespeare in the late 16
th century. The play is set in the capital city of Venice. At the time of Shakespeare’s writing, Jews had been banished for 300 years. His audience’s depiction of the Jews would have been based closely on humour and prejudice. Their knowledge of the Jews was therefore limited and heavily reliant on the play writer’s stories. In this coursework, I intend to show how Shakespeare's view on Judaism and Christianity is portrayed in the different scenes that I will be exploring.

     In Act 1 Scene 1,the scene introduces the reader to Antonio, Bassanio and other Christian friends. It seems that Antonio is upset, for a reason unknown to the reader.

Antonio:

    ‘In sooth I know not why I am so sad’

‘What stuff  ‘tis made of, wherof it is born, I am to learn...’

     Salerio and Solanio try to make sense of his sadness, suggesting his capital is in danger. Antonio denies, and states that even if true, would not be the reason for his upset. Unable to lift the spirits of Antonio, Salerio and Solanio exit and Bassanio, Lorenzo and Gratiano enter. Gratiano and Lorenzo joke with Antonio to some avail, before leaving him and Bassanio alone. Bassanio, meets Antonio, with financial difficulties, in order to borrow more money for the wooing of an heiress in Belmont, Portia.  Antonio agrees, but is unable to lend the money directly, due to their location at sea. Bassanio will use Antonio’s name to gain credit.
     We are not shown of any anti-semitism issues, in fact there is no mention of the Jew whatsoever. Instead, Shakespeare displays values of generosity, concern and friendship, which the Christians seem to illustrate. Antonio however, is the only man in the scene who seems somewhat withdrawn from any cheer and joy. A similar Antonio to that of the ending trial scene.

      Act 1 Scene 3 introduces Shylock in a street, where Bassanio seeks him to borrow money in Antonio's name to pursue his love. The loan is for three thousand ducats. We learn of the social and religious barriers set by the Jews and Christians. Financial and religious elements coincide frequently throughout Shylock’s speech.

Shylock:

      ‘How like a fawning publican he looks,  
...I hate him for he is a Christian
..He hates our sacred nation, and he rails’

     This immediately portrays Shylock displaying elements of
hostility  in rejection to ever forgive the Christians. He despises the Christians and makes clear forceful comments to reinforce his feelings. Shylock mentions that his religion is 'sacred', indicating a sense of higher purpose and superiority. His language implements the fact the he is a victim of anti-semitism:

     ‘You call me misbeliever, cut-throat dog,
And spet upon my Jewish gabardine,
You'd call me dog: and for these courtesies’

      Shylock makes this to speech to allow the reader to know he hates Antonio for having hindered him in business and for having him humiliated in
 by spitting on his sacred gown. Shylock evidently despises Antonio and has already thought of revenge before Antonio speaks.

Shylock:

Join now!

‘If I ever catch him once upon the hip,
I will feed fat the ancient grudge I bear him.’

      He hopes to carry out exact revenge on Antonio for his own humiliation and the prosecution that the Jews have long suffered at the hand of the Christians. At this stage of this scene we learn of the agreement of the bond.

Shylock:

     ‘If you repay me not such a day,
Express'd in the condition, let the forfeit
Be nominated for an pound
Of your fair flesh, to be cut off and taken’

    ...

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