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Othello extract Analysis (3.3.435-476)

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Othello Analysis (3.3.435-476) This extract seems fitting for analysis as it embodies the meaning of tragedy in the Aristotelian sense: the chief emotions induced in the audience from this 40-line exchange are pity and fear which by Aristotle's definition announce a tragedy. The crucial event in this extract - Iago's claims to have seen Cassio "wipe his beard" with the handkerchief - provoke a breakdown in Othello leading to his ceremonial vow to enact his revenge. This sequence stimulates pity in the audience as they witness the "monstrous creation" Iago gleefully describes at the close of Act 1 drive Othello into a rage, shouting "blood, blood, blood". Moreover, losing this composure which the audience had hitherto experienced in Othello evokes fear in the audience with the realisation that Othello has became the animalistic beast Iago derided him as being throughout the whole play. Thomas Rhymer's contemptuous view on Othello is notorious as he questions "so much ado, so much stress, so much passion and repetition about an handkerchief! Why was not this call'd the Tragedy of the Handkerchief?". Rhymer clearly appreciates the importance of the handkerchief in Othello. Preceding this extract the importance of the handkerchief to Desdemona is clear: by Emilia's account, Desdemona at times even treats the handkerchief as a substitute for Othello as she states how "she reserves it evermore about her to kiss and talk to". ...read more.


However, for the first time in the play, in this scene we experience a total loss in this charisma as he enters a state of rage making Othello's self-critical comments at the trial proleptically fitting. For example, Othello's cry of "d**n her, lewd minx! O, d**n her, d**n her" is evidently inarticulate: the limited verb usage shows how his anger has limited his previously articulate diction. Further, his dismissal of Desdemona as a "lewd minx" is interesting as it echoes the b*****l imagery Iago generally uses to mock Othello and so may convey the level of influence Iago now practises over Othello. What is rather more unsettling than the explosion of Othello's angry, incoherent outcries is the way in which he expresses his desire for revenge in this extract with the level of high rhetoric which audiences have come to expect in a calm, rational Othello. This seems to suggest that Othello vows to attain revenge while thinking clearly. T. S. Eliot famously saw Othello as self-dramatising as Othello is capable of shaping tragic experience into a story much like Brutus and Hamlet in Shakespeare's preceding tragedies. This feature is far more emphatically marked in Othello despite Othello's lacking the wry self-awareness and wit of Hamlet which Iago seems to have instead inherited. Although marred slightly by his animalistic outcry of "blood, blood, blood" beforehand, Othello articulately combines classical and cosmic language seamlessly to convey the way in which his desire for revenge is so strong that its reach is infinite and timeless: from the "Hellespont" to "Heaven". ...read more.


Alluding further to the idea of ritual is Othello's acknowledgement that this burden of his is poisonous or "of aspics tongues. In saying this Othello is revealing that he does not want to enact revenge on Desdemona as he still loves her; however he feels bound to by tradition and pride (this is why it is necessary for him to work himself into a rage pleading "arise black vengeance from thy hollow cell"). The reference to asps is interesting as it is different to its usage in other Shakespearian plays - here the reference is to convey the poisonousness of the burden Othello must bear whilst in Antony and Cleopatra an asp allows Cleopatra to escape from the torments of the world. This extract is suitably rich in language to denote its importance to the play. Evoking much pity and fear, the audience experience Othello willingly work himself into a state of frenzy after being falsly being informed by Iago. Othello therefore bids a farewell to the composure and clarity of thought which afforded him his position as a tragic hero and becomes the beast Iago had cruelly derided him as being previously. Othello's language becomes intermittently inarticulate as a result conveying the strength of emotion he experiences from his ritualistic vow for revenge. All the while Iago feigns a sense of companionship with Othello and no aside is necessary to convey to the audience the glee he is obviously experiencing at this step toward the completion of his scheme. ?? ?? ?? ?? Sam Heard ...read more.

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