Review three of the short stories you have read and say how they were typical of their genre and what ideas they explore that are still relevant today

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Helen Woodmancy. 10X

Review three of the short stories you have read and say how they were typical of their genre and what ideas they explore that are still relevant today

Originally stories were sung or spoken and handed down through word of mouth from one person to another. There were thousands of traditional stories all over the world, from King Arthur and his knights of the round table in Britain to Hercules and the Gods on Mount Olympus in Greece.

In the middle ages this was how stories were told, these stories were sometimes shown as plays, which many people could pay to watch. These plays were based on love, war and religion and were very popular with everyone. Some mystery plays were based on bible stories and shown throughout Europe. Others were based on the courtly love tradition where women were worshipped like Gods. In contrast other stories were shown as having the “damsel in distress” such as Robin Hood, with knights and a great battle of good versus evil. Some even took the myths and legends and included them in their stories; this could have been where princesses were saved from a beast such as a dragon or a small boy performing the colossal act of defeating a giant.

The Signalman

By Charles Dickens

The setting is a railway line at the bottom of a steep cutting, where the sunlight “barely penetrated”. It was a “dark, dank, gloomy and depressing place near a tunnel with a red danger light at its entrance.” The signalman’s box was but a few hundred yards from the entrance of the tunnel, giving the impression that this is the last outpost of life before entering the tunnel, which could go down to the underworld. NB. In Ancient Greek legends, the entrance to Hades Underworld or death was often portrayed as a dark tunnel or cave.

The main character is a signalman, he is working class but “educated beyond his position”. He is very particular and vigilant about his job. He has fixed eyes and “a saturnine face”.

The job and its position are lonely and solitary but the signalman is happy like that. He willingly worked in his environment. He gave the impression of hardly being a man, could he be a ghost or is he mentally ill?(mentally ill people often live on the edge of society in lonely positions)

The second main character of this story is the narrator, who is a traveller. This is common of Victorian short stories. This character focuses us on the reality, he doesn’t see the ghost, but does perceive the signalman’s very real distress and anxiety. He also gives us the character of the signalman i.e. One of not normally seeing ghosts and of being down to earth, intelligent if a solitary figure. In this story he is an avid train fanatic and comes down to talk to the signalman of their common link.

The main story is that the signalman “saw” a strange traveller, who appeared to be a spirit or a ghost, giving him warnings of impending doom/death. When the ghost rang the bell it gave a different vibration, this indicated to the signalman the ghosts’ presence, and his own sense of altered reality? Was this his entrance to a mad neurotic state or into a state of foresight? The warnings were never specific or clear, but death always followed. Twice the ghost came to prove its warnings were true, always appearing near the red danger light.

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The narrator points out that the signalman does not seem to be a man that would see ghosts, which is also common, but that the sight of these apparitions and the ensuing deaths is deeply upsetting him. The appearance of the ghost has altered this signalman’s usually steady state of mind. The narrator pointed out that the signalman was “intelligent, vigilant, painstaking and exact and though he held a subordinate position, he held a most important trust.” But could this continue with his state of mind being so precarious? The narrator had pointed out that there was something aberrant about ...

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