Romeo & Juliet – Did love or hate win in the end?

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Romeo & Juliet - Did love or hate win in the end?

Introduction

Shakespeare wrote Romeo and Juliet around the 1590s. During much of the twentieth century, critics tended to disparage this play in comparison to the four great tragedies that Shakespeare wrote in (Hamlet, King Lear, Macbeth, and Othello). Romeo and Juliet appears to lack the psychological depth and the structural complexity of Shakespeare's later tragedies. But over the past three decades or so, many scholars have altered this assessment, effectively upgrading its status within Shakespeare. They have done this by discarding comparative evaluation and judging Romeo and Juliet as a work of art in its own right. Viewed from this new perspective, Shakespeare's drama of the "star-crossed" young lovers is seen to be an extraordinary work. The latter include the antithesis between love and hate, the correlative use of a light and dark polarity, and the prominent status accorded to Fortune and its expression in the dreams, omens and forebodings that presage its tragic conclusion.

Scene I

In a public place of Verona, we first see two servants of the Capulet family armed with swords, ready to fight with any "dog of the house of Montague." They express the enmity toward Montague in vulgar terms. Just then, two servants of the Montague household enter and the two sides begin to fight. The fight ends temporarily when Benvolio, a Montague and a cousin of Romeo's, appears and beats down their swords. Immediately after this, however, a member of the Capulet family, Tybalt, bursts in, and begins to fight with Benvolio. The fight attracts others, including Old Capulet and his wife, Old Montague and his wife, and the Prince of Verona, Escalus. The Prince commands these rebellious subjects to stop breaking the civil peace, complaining that these street battles have erupted on several occasions, and threatening lives of the combatants. Old Montague asks Benvolio about the cause of the argument at hand, but Lady Montague's concern is with their son, Romeo. She is glad that Romeo was not involved in the fight, but she then says that her son has been in a melancholy and depressed state of mind. Romeo enters, appearing downcast and distracted. Romeo explains to Benvolio that he is madly in love with a woman named Rosaline. Who is sworn to chastity? Benvolio says that Romeo should "forget to think of her," and his friend replies that he will stop thinking about Rosaline if Benvolio can show him "a mistress that is passing fair". During scene I there is a lot of hatred and anger between the two families. The servants of both families who decide to fight express this. One man offers peace. However, Tybalt quickly rejects it in a stubborn manner. ''I hate the word, as I hate hell, all Montague and thee.'' From this argument it is very clear that love will find it tough to defeat the hate that has split the families apart for so long.

Scene II

On another street in Verona, where a young noble, County Paris, first speaks with Old Capulet about the Duke's threatened punishment and then states his desire to marry Capulet's daughter, Juliet. The head of the Capulet clan initially objects to this proposal, saying that Juliet is too young (not yet fourteen years old), but he then says that he will consent to the marriage if Paris can win his daughter's love. The aged patriarch instructs a servant to deliver invitations to a banquet that he is planning, and leaves the stage in the company of Paris. Left alone, the servant says that he has a dilemma: he is illiterate and cannot read the list of guests. Just then, Romeo and Benvolio pass by, and Romeo agrees to read the list. After he finds the name of Rosaline among the invited guests. Romeo plans to attend the banquet and Benvolio says that he will show Romeo some other maid at the feast. Romeo is actually grabbing the chance to humiliate the Capulets on their own turf. By going to the banquet, he is offending the Capulets in the biggest way possible. There is not much hate or love in this scene but, when Romeo goes to the banquet he is in for a surprise.

Scene III

At the house of the Capulets, Juliet's Nurse fondly recalls her mistress's childhood to Juliet's mother, Lady Capulet. When Juliet arrives, Lady Capulet sounds her daughter out about her willingness to marry, and Juliet says that she has not considered it. Her mother says "Well, think of marriage now," noting that many Veronese girls who are younger than Juliet are already wives. Lady Capulet tells her daughter that Paris will be at the banquet that night and directs her to "Read o'er the volume of young Paris' face." This quote shows that Juliet's mother wants her to look at Paris and then reconsider her first initial thoughts of him. In turn then say yes to the disagreeable question.
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Scene IV

In front of Capulet's house that same night, Romeo, Benvolio and another character, Mercutio (a relative of the Prince and of Paris as well as a friend to Romeo) approach the festivities inside. Mercutio displays a brilliant wit in a piece about Queen Mab who holds sway in dreams. When Romeo objects that his friend talks of nothing, Mercutio replies that Romeo is correct for his subject is dreams "which are the children of an idle brain". Romeo then speaks of having a premonition of "untimely death," but his mood changes abruptly as he ...

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