Shakespeare's "The merchant of Venice". How can an audience's sympathies towards the characters in act 4, scene 1 be radically different according to the interpretation of a director?

Authors Avatar

Shakespeare’s “The merchant of Venice”

How can an audience’s sympathies towards the characters in act 4, scene 1 be radically different according to the interpretation of a director?

Racism, feminism, power, religion, justice and mercy; Shakespeare’s complex moralistic notions fill an eventful and crucial scene in the play-“The Merchant of Venice”. The first scene of the fourth act completes the separate storylines and brings them all to an end, producing a scene with immense impact and a frenzy of morals. However the audience’s perception of the characters can only be determined by the director’s analysis of the flexible personas and judgments the characters possess.

I think that the play, scene one act four especially, has a wide range of possibilities for different styles of acting and the director’s opinion will have changed a lot since Shakespeare’s time. As we have evolved, we have become more aware of feminism, justice and racial issues, the modern view on social equality has matured a great deal, which means that the director of today would probably play the characters’ actions to be less racist then would be accepted for Shakespeare’s audience, but did Shakespeare intend for the play to be interpreted as a moralistic piece which was trying to teach the people of his time a lesson in prejudice, and therefore showing that Shakespeare’s views were way ahead of his time? Or did he intend for a racist play using women and different religions and cultures as an example of humour?

        There are many questions the director has to ask himself before he starts this scene, for example how shall he portray Antonio and Shylock to the audience? Which one shall be illustrated as the victim and which one as the villain in the scene? If I was the director I would portray Shylock to be the villain in this scene, I think Shylock has great potential to be such an evil character, and it would be an effective image on stage to have evil Shylock’s power, rise and fall dramatically. The association the audience will have formed for Shylock by this scene will be one of dislike. Therefore when Shylock is defeated by the Christians the audience’s views will change dramatically, adding a twist to the story and changing the focus of hate from Shylock to Antonio and the Christians, leaving the audience to feel extremely sorry for the poor, defeated Jew. The audience may even feel emotions of guilt for mistaking Shylock for an evil character.

Join now!

        Shylock is arguably a “true” villain in this scene, he has a very evil image, but does that only exist because of the influence of the other characters in the play? I think that Shylock has been transformed into a villain by the hatred of others. Although Shylock may seem cold blooded as he sharpens his knife in the court room, and refuses to show mercy for the sake of Antonio’s innocent life; racist comments from the other characters throughout the play, towards bitter Shylock tell us that he may have a reason to seek revenge.

        “As the dog Jew ...

This is a preview of the whole essay