Susan Hill's short story The Woman in Black.

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Creation of suspense is a characteristic feature of narrative in the Gothic tradition. Discuss the uses and effectiveness of this device in the extract of

The Woman In Black

Suspense is an integral part of Susan Hill’s short story, in creating a truly chilling and tense experience. In adhering to the gothic convention, the feeling of uncertainty when reading The Woman in Black is heightened, and the reader is forced to read on in search of an outcome. A psychological feeling of curiosity or expectation is created within the reader, often tinged with anxiousness, created by delaying the resolution of the conflict. As a result of the abundance in suspense and tension Arthur Kipps, to whom much sympathy is drawn, is seemingly put in a position of inexplicable, yet inevitable danger. Though we as readers are never told this, sub consciously our imagination takes control, in a search for the outcome. It is the underlying, psychological fear of the unknown which indeed makes this short story a gothic success. We experience a psychological journey alongside the ever rational Mr Kipps, in search of the outcome of the tension filled proceedings.

From the outset, it is what goes unsaid, that grips the reader with both excitement and anxiety. We are held in suspense by Arthur Kipps, the self-described 'even-tempered' man, who, in the very first scene, curiously loses his temper at a Christmas Eve family gathering. The reader is simply told that “‘it was not a story to be told for casual entertainment, around the fireside upon Christmas Eve”. This inexplicable outburst raises the question of what it is that could have made this seemingly calm gentleman behave in such an unsporting manner - after an innocent rendition of fictional ghost stories by his stepchildren. Kipps’ emotional scars are evident, and the reader is given a subtle indication of what is to ensue. The result of this is an overwhelming sense of tension created, in this seemingly harmless setting the night before Christmas. Ironically alluding to The Woman in White, not only does the title immediately expose the ‘apparently’ mysterious antagonist, but it reveals to us the nature of what is likely to happen – personal tragedy (as associated with black) as opposed to the re-establishment of good in The Woman in White. In this respect, it could be argued that the title detracts much suspense from the on-going proceedings. This can be likened to both Dracula and Dr Jekyll and Mr Hyde. A counter argument however, is that suspense it’s created within these titles themselves, with readers yearning to discover the significance of these characters within the plot. As Kipps introduces his story to us, we are told that he “had a story, a true story”, contrary to what he had told his family. His intention to jot down his experience, hints to the significance of these events which have seemingly left a lasting mark on him, subsequently increasing the suspense as to what it could possibly be. This simple phrase adds an air of undeniable authenticity to the whole story, which makes the ghostly appearances of the Woman all the more frightening

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One of the difficulties Kipps encounters is the unwillingness of anyone connected with the life of Mrs. Drablow to tell him anything meaningful about her. Upon questioning Mr Jerome about the presence of the woman in black, we are told by the narrator that he “grabbed my wrist in an agonizing tight grip, and, looking at his face, was certain that he was about to faint”. His landlord at the Gifford arms will only provide superficial information, “nothing at all, nothing personal, nothing revelatory, nothing very interesting”. These two are joined by both Samuel daily and Kckwick, in their ...

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