There is an opposition of black and white imagery which occurs frequently throughout the play which deliberately separates/shows a difference between the main character Othello and his European peers

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Othello

There is an opposition of black and white imagery which occurs frequently throughout the play which deliberately separates/shows a difference between the main character Othello and his European peers, who are the other characters in the play. Othello’s peers choose not to refer to him as Othello but as “the moor”. This could be seen as an affectionate way of referring to him, but it could simply show that his colour and race are what they see most. This would be a racialist view of him since his racial identity informs how they perceive him. This shows that even his closest of friends and the most noble soldiers still see him as inferior and less than them. This suggests that they may feel he does not deserve to have a name; it also strips him of his identity and individuality.

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In the play Brabantio, Desdemona’s father, truly believes that Othello has placed a spell on his daughter to make her fall in love with him. He refuses to believe that she could love him from her heart, and there is a suggestion here that it is his colour above everything else that should prevent her from finding him worthy of love. Shakespeare has many of the characters in the play refer to Othello with negative comments, some about his actual features:

“What a full fortune does the thick lip owe?”

Here Roderigo is basically making a link ...

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