Victorian Poems (damaging and destructive effects of love)

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English literature        victorian poems        Kay Clark        

With reference to a selection of poems from the Victorian era, explore the damaging and destructive effects of love.

“My Last Duchess”, “The Laboratory” and “Porphyria’s Lover” written by Robert Browning and “The Sisters” by Lord Alfred Tennyson, are all dramatic monologues created in the 1800’s. As each is a dramatic monologue, the horror of the events is emphasized for the reader as the reader feels they are being spoken to directly, as though they were listening in to a confession. The theme of death which links the four poems is a common theme within the Victorian era as there was a heightened interest in murder due to stories such as “Sherlock Holmes” and stories of Jack-the-ripper falling into the same era. There is also an interest in mental illness during this time, another theme explored in these poems. Within the four poems, it is often insanity which triggers the speakers’ actions. Also, the speakers’ unstable mental state is shown within the monologues through their lack of remorse. The dominant theme, occurring in each of these monologues is love and its damaging effects.

Robert Browning explores one of the destructive effects of love, Possessiveness is a desire to control or dominate another, especially in order to limit that person's relationships with others. Possession was common within the era in which both poems are set, due to social etiquette at the time there was often one dominating partner in a relationship, usually the male. Within “Porphyria’s Lover”, the lover is possessive over Porphyria as he does not want her to be with anyone else. The poem begins by describing the lover waiting for Porphyria to return, as she has been socialising. He refers to those she has been socialising with as “vainer ties” illustrating that he feels they have a higher status in society than he does. He uses the adjective “vainer” as an insult towards them, suggesting that he is jealous of their status and of the fact that Porphyria is in their company, not his. Porphyria’s lover craves being with Porphyria, despite the restrictions of society. He wishes that he could set her “struggling passion free from pride”, implying that he wants her to overcome societal strictures in order for her to “give herself to [him] forever”, showing his possessiveness. When he is finally united with Porphyria his possessive feelings are shown when he says, “ that moment she was mine, mine”. The repetition of the pronoun “mine” emphasises that the lover feels that he owns Porphyria. The pronoun would usually follow a noun to show possession; in this case Porphyria is the object that he feels he possesses. The speaker begins to feel that Porphyria’s sexual actions, such as when she “made her smooth white shoulder bare”, prove that she “worships” him. It is this that motivates him to show his possessive behaviour by strangling her so that he will be able to keep her and preserve a moment when are they are together and in love. After he has killed Porphyria, the lover “opened her eye lids” and “propped her head”; this portrays his possessive behaviour by depicting him controlling her physically. His actions throughout the poem prove that his possessiveness is the destructive and damaging effect of love as it leads him to murder in order for Porphyria to be his.

Also, the theme of possessiveness is evident throughout the poem “My Last Duchess”. This poem reflects the possessive nature that could be seen during the Victorian era, in which the poem is set, where women were seen to be of a lower status than men and within a relationship, the male had the right to rule over a woman. The Duke’s possessiveness is shown when he says that the Duchess “ranked my gift of a nine-hundred-years-old name with anybody’s gift”. This gives the impression that he thinks the Duchess should feel privileged to have married into his family and that he is angry that she does not appreciate this anymore than she would appreciate a gift from anybody. The adjective “my” is used by the speaker to emphasise his possession of the Duchess. The word “my” usually precedes an object; in this poem the Duchess is the object, which belongs the Duke, or so he feels she should. However, the Duke regards the Duchess as “too easily impressed” and felt as though “her looks went everywhere” suggesting that he thinks that she is easily tempted by and too amorous towards other men. It is this free-spirited behavior that “disgusts” the Duke, this word gives the impression that the duke loathes the Duchesses unpretentiousness towards him. Her ostentatiousness leads the duke to feel that he has no control over her, which is what he craves, so in order to be able to control her he “gave commands” to have her killed, this shows his possessive behaviour. The harsh “d” consonant within the powerful verb “command” creates an abrupt sound emphasising to the reader the Dukes aggression. The Duke does not go on to explain how the Duchess was killed which accentuates the sinisterness of the situation. Also, the fact that he does not attempt to tame the Duchess or speak to her about how he feels about her behaviour before having her killed, demonstrates his extreme possessiveness, as he believes that there is no other method of making her completely his. After the death of his wife, the Duke shows a painting of her to an envoy of a count whose daughter he intends to marry. He speaks with admiration towards the painting referring to it as “a piece of wonder”, he admires the skill of the artist and his ability to capture the Duchesses “spot of joy”. The Duke talks about the painting as if the subject is real; this is shown when the speaker says, “there she stands”. He is pleased that the artist has made her look “as if alive” as it is now as if he owns his wife in a form where she can never change, will also be as he likes and which belongs solely to him. She is now as he prefers, a possession.

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Revenge is the key damaging effect of love shown in the relationships that are explored within Robert Browning’s “The Laboratory” and Lord Alfred Tennyson’s “The Sisters”. Revenge is the act of taking vengeance and inflicting punishment. Revenge was a common theme for plays of the Victorian era, in which the poems were written, and was seen often in Robert Browning’s poems.

In “The Laboratory” the speaker’s actions show that her desire for revenge has a destructive effect. The speaker takes revenge because she feels that her lover is “with her”, “her” being her love rival. She feels as ...

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