Views of Death in the poetry of John Donne

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Views of Death in the poetry of John Donne

John Donne’s complex personality plays an important role in his poetry. His intellect, and as a result his work, demonstrates various opinions that at times conflict or agree with each other. These opposing views represent one of the most fascinating aspects of his poetry. Seldom is this divergence presented as clearly and frequently as in the theme of death, as will be illustrated by the following essay.

As with most poets of his time, Donne was obsessed with death. Mesmerized by its mysteries, charmed by its allure, and convinced of the existence of an afterlife (as a result of Christian theology), he finds himself at times unable to settle on a particular view of the subject. While a considerable portion of Donne's opus deals with death either directly or indirectly, some poems depict death as insignificant while others present it as something he, and therefore humans, should fear. As a Christian, Donne believed (although perhaps did not understand) the concept of an afterlife. This conviction is shown by his understanding of death as a necessary stage before reaching the glory of heaven, the promised life with God. His contradictory behavior is demonstrated by a fear of death, sometimes expressed in his search for ways in which he could triumph over it instead of becoming its victim, which fueled his interest in the practice of suicide.

One of the Holy Sonnets, Death Be Not Proud, presents the contradictory views of Donne. The opening lines, "Death be not proud, though some have called thee/Mighty and dreadful, for, thou art not so" demonstrate his own uncertainty on the issue, since that "some" he mentions includes him at times. However, he denies the power of death in the very next line, and proceeds to list several reasons why. The people whom death believes it kills do not "cease to live" (in order to avoid the use of the word ‘death’); death does not have such powers. Death is not all-powerful, since it is part of God’s creation. Furthermore, death is not an end to life. Rather, it is a kind of "sleep," a middle stage to cross before being reunited with the creator.

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The final part of the fourth line presents a familiar trait of Donne’s poetry: its theme shifts from death to Donne himself. Although it is not an extreme example, for he focuses on death and himself, it demonstrates his conviction that a poem is worth writing if it regards him in some way. "Nor yet canst thou kill me/From rest and sleep" serves to reinforce the idea of death as a mere transitory stage between the earthly and the after-lives. "Soonest our best men with thee do go" is used by Donne to remind the reader that death is not ...

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