With close reference to the language Shakespeare uses, show how tension excitement is presented in Act III Scene I of Romeo and Juliet. Are different performances successful in capturing this? The play "Romeo and Juliet" was written by

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With close reference to the language Shakespeare uses, show how tension excitement is presented in Act III Scene I of Romeo and Juliet. Are different performances successful in capturing this?

The play “Romeo and Juliet” was written by William Shakespeare in the 16th century, it is full of examples of different kinds of disorder: brawls and fights, the violence of angry passion, the unnaturalness of infatuation. It is a tragedy play. In Act III Scene I of Romeo and Juliet, Shakespeare has created an action-packed scene full of great tension and excitement. This scene is a major turning-point in the play and it is appropriate that it should start with references to heat and passion. Also, this scene marks the final appearance of Mercutio who is certainly a prominent and interesting character who we might think would have distracted attention from the main story, because the audience would always have been wondering what amusing things he would say or do next. The audience watches as Mercutio picks a fight with Tybalt when Romeo desperately tries to avoid a fight and he is forced to defend his honour, we watch him fight to the death. He then becomes aware of the far-reaching consequences of his actions. All of the different performances in this scene have showed how successful they are in capturing the tension and excitement.

The opening section captures a sense of tension and expectancy. Act III Scene I is set in a “public place”, where everyone in the street can know what is going on. The entry of Mercutio and Benvolio makes the audience to aware what is going to happen to them. Benvolio, the natural peacemaker, try to calm Mercutio by the use of iambic pentameter blank verse, “For now these hot days is the mad blood stirring.” He says this because he expects fights to occur, beginning the feeling of tension. However, Mercutio replies that this is poor advice coming from someone as hot-tempered as Benvolio and he does not wait for Benvolio to finish his speech, and fires back to Benvolio in prose, which is another language technique that Shakespeare used. It is because Mercutio speaks in prose can help him to pick up the pace and emphasises Mercutio’s personality. “…draws him on the drawer, when indeed there is no need.” Mercutio talks about fighting here. This quote is the last sentence in his first speech, which highlights something is definitely going to happen. Suspense and tensions are already started to build up in the audience. The audiences are being excited and waiting to see what is going to happen next, and perhaps waiting for the fight. Shakespeare cleverly kept the audience’s suspense by placing the entrance of Tybalt, who has a short-tempered characteristic in the play like Mercutio, straight after Benvolio and Mercutio’s speeches. This can raise the tension within the audience and make them to think what is going to happen between the then in this “public place”. When Mercutio meets Tybalt, Tybalt is very polite at first with Mercutio and does not want a fight, “Gentlemen, good den,” Actually, Tybalt is more interested in quarrelling with Romeo.

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The tension increases with Romeo’s entrance. Mercutio has helped create the tension by play off Tybalt’s words to mock Tybalt, “Consort? What Dost Thou make us minstrels?” Mercutio is the person who is reckless, arrogant and liable to fight. So, a verbal fight starts between Tybalt and him, which means they are fighting with the language they used. For example: Tybalt said, “You shall find me apt enough to that, sir, and you will give me occasion.” Mercutio said, “Could you not take some occasion without giving?” Every time Tybalt said something to Mercutio, Mercutio splits a word from Tybalt’s sentence back ...

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