Written Commentary - The Pearl

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        This prose is about the discrimination of people, specifically between colonizers and the colonised. In this prose, the colonizer takes the form of the doctor, and the colonized are represented by Kino, Juana and Coyotito. It illustrates the rampant discrimination of different races and shows us there is a clear line drawn between the colonizers and the colonised. This is further emphasised and expressed by the line in the first paragraph, ‘the doctor was not of his people’.

        The passage starts with ‘Kino hesitated a moment’. He did so because the doctor he wanted to visit was not of his race. On the contrary, he is of a race for ‘nearly four hundred years had beaten and starved and robbed and despised Kino’s race, and frightened it too’. This discrimination has escalated so badly that when Kino approaches the doctor’s gate, he feels weak, afraid and angry. Though he may not be physically weak as compared to the doctor, we assume that ‘weak’ refers to Kino feeling inferior. Kino could ‘kill the doctor more easily than he could talk to him’, showing us how intense Kino’s hatred for the doctor is. The author uses visual, aural and kinetic imagery when he writes that ‘rage swelled in him (Kino), and the pounding music of the enemy beat in his ears, and his lips drew tight against his teeth’, illustrating Kino’s hatred and fear of the doctor and drawing emphasis to it as a focal point of the passage. The sentence ‘The procession crowded close the better to see and hear’ shows us that the due to the constant and strong discrimination of the Kino’s race, Kino’s (or one of his race) approaching the doctor is very rare indeed.

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        When the gate to the doctor’s place opens (a few inches), Kino sees ‘the green coolness of the garden and the little splashing fountain through the opening’. This visual imagery gives off a very warm feel to the place. However, Kino does not seem to be welcomed, as the gate only opens a few inches, and the man who opens the gate, though of the same race, refuses to speak Kino’s language. The juxtaposition of the warm, intimate and cosy visual imagery to Kino’s cold reception emphasises on the discrimination Kino receives. The servant refused to speak in the old ...

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