The Great Gatsby

Terence Landman Prose Essay The Great Gatsby Look closely at the details presented, the snatches of dialogue, and Nick's comments, in order to explain how Fitzgerald renders this episode in both positive and negative ways. The two-page extract from the Great Gatsby has various themes, motives and symbolism running at its roots. This essay will attempt at deciphering these symbols and clearly expressing their true meaning, as well as the course they help to create in Fitzgerald rendering this episode in both positive and negative ways. Gatsby's house is compared several times to that of a feudal lord, and his imported clothes, antiques, and luxuries all display nostalgia for the lifestyle of a British aristocrat. Though Nick and Daisy are amazed and dazzled by Gatsby's splendid possessions, a number of things in Nick's narrative suggest that something is not right about this transplantation of an aristocrat's lifestyle into a democratic America. Nick creates, through visual imagery an imaginary representation of Gatsby's house in his readers. He expresses the beauty embedded in the gardens, "the sparkling odour of jonquils and the frothy odour of hawton..." (88) the various eras and architectural designs, "Marie Antoinette music-rooms and Restoration Salons" (88) and lastly the different themes captured by these rooms, "through period bedrooms swathed in rose and

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stand by me

Ayesha Begum English Analyse The Narrative Techniques In Stand By Me The first narrative technique is camera angles, and the first camera shot they use is an extreme long shot in the beginning of the film where they show the countryside, a small jeep and some trees in the scene. This scene makes me wonder where the car is going and why they are showing the jeep. The place is lovely but it looks lonely and the car is the only thing moving in the scene so it shows that the person in the jeep wants some time to himself/herself to think over things and get a bit of peace. You can see a lot of background in the scene I think this is so that the audience knows where the film is set in the beginning and so that the audience knows that the person driving the jeep wants some time to himself/herself. The next shot they use is a long shot because they show the whole jeep and a bit of the background around the jeep. You can see a man sitting in the jeep all alone and it seems like he is upset over something, because this is the first person we see it shows us that he probably is a key character in the movie. The next shot is a close up shot because it shows the whole face of the man in more detail and you can tell that by seeing his expressions he is really sad or something bad has happened and he is upset over it. It looks like he is remembering something from his past - he looks

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Symbolism in The Great Gatsby.

Symbolism in The Great Gatsby By 1925, author F. Scott Fitzgerald was known primarily as the historian of the Jazz Age and chronicler in slick American weeklies of the American flapper. Perhaps this is why critics and reviewers were caught off-guard in that year, at the height of the Roaring Twenties, when Fitzgerald published The Great Gatsby, a story cited today as the Great American Novel. It is true, as Magnum Bryant says, "The simple romance of Jay Gatsby and Daisy Buchanan is merely the foundation for a narrative structure that accommodates Fitzgerald's ideas about irreconcilable contradictions within the American Dream and ultimately about the ideal quest itself"(Byrant n.pg.). The intricate weaving of the various stories within The Great Gatsby is accomplished through a complex symbolic substructure of the narrative. The primary images and symbols that Fitzgerald employs in developing the theme of The Great Gatsby are the green light, the Valley of Ashes, and the overlooking eyes of Dr. T.J. Eckleburg. The green light at the end of Daisy Buchanan's dock is the first use of one of the novel's central symbols. The initial appearance of the green light occurs when the narrator, Nick Caraway, sees Gatsby standing in front of his mansion, stretching out "his arms toward the dark water in a curious way" (Fitzgerald 26; ch. 1). From his own house Nick believes that he can

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Of Mice And Men

Of Mice And Men John Steinbeck uses animal imagery to express and introduce characters, events and themes in 'Of Mice and Men.' Steinbeck also uses nature, to convey events and settings in a subtle way. In section one of 'Of mice and Men' Steinbeck uses various colours to help the reader visualise the clearing as a tranquil and peaceful place. By describing the Salinas River as 'deep and green' the reader instantly envisages the water to be refreshing, mysterious and untouched. In addition, Steinbeck suggests that the clearing is full of sunlight: 'The water is warm too, for it slipped twinkling over the yellow sands.' Yellow, in this context, is calming because the words 'warm' and 'twinkling' are used before it. Steinbeck also uses alliteration to create a calm and peaceful atmosphere: 'south of Soledad, the Salinas River.' The repetition on the soft's' sound is calming and subtle. Steinbeck repeats this technique: 'the water is warm too.' As with the's' sound, the soft 'w' is calming. In this setting of absolute calm and serenity, Lennie and George are introduced. Steinbeck uses extensive animal imagery to describe Lennie: 'dragging his feet in the way a bear drags his paws.' This gives the impression that Lennie is large and cumbersome. However, the main reason that Steinbeck uses this form of imagery in describing Lennie is to portray him as amoral and therefore

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Narrative essay 1

Tanvi Dattani 0C Narrative Essay - Life changing fire The well sparkled in the moonlight. The bucket was heavy, but that compensated for the hard and tiring work I had done in the factory. The water was cool on my lips which was contradicted the heat in the shack. I closed my eyes, and heaved a sigh. Sheila once told me how she dreamed of one day going to Mumbai to go to study and making her parents proud. She always wondered if her parents were alive, they would be proud of her or not. This thought never left my mind. At the end of the bucket, the magical moment of freedom will be lost and back in the shack again. 'BOOOOOOMM!' the peace of the night was broken, pandemonium, pieces flying everywhere. The grandiose flames rose up, lay a beast within the earth, accompanied by an aura of smoke. Before I knew it the smoke encompassed me, like a tornado. I couldn't see, I couldn't breathe, I ran, ran far away, ran away from this lunacy. Running, running for my life but then I stopped. Sheila! My fear had vanished. I lost all sensation. I froze. I turned and ran towards the scorching conflagration. I ran towards the ferocious beast of fire and grime. Sheila, Sheila, Sheila. That was the only thought in my mind. The deafening noise of crackers, which was the only thing I could hear, seemed to roar in my ear. The fire stood like an unbreakable wall between Sheila and me. I

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