Freedom Come, Freedom Go

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Chun

Elizabeth Chun

Kris Bromberger

Writing 39B

December 8, 2003

Freedom Come, Freedom Go

        The ignominy of repressed freedom and equality for the black community has been rhetorically expressed throughout the past century, with the sole purpose of achieving widespread recognition for civil and human rights. The struggle for African-American egalitarianism reached its defining moment by 1964, when aspiring leaders, specifically Dr. Martin Luther King, Jr. and Malcolm X, manifested their indictments through colorful orations, directed toward both the white and black community across America. In King’s speech, “I Have a Dream,” the entire nation is presented with an “uncompromising critique of injustice” from an eschatological view of the country itself (Lischer 8). Malcolm X, on the other hand, delivers a blazing allocution entitled “The Black Revolution,” before an audience consisting primarily of Caucasians, informing them of the violent reality of the civil rights movement. At the same time however, both speakers attempt to draw sympathy and ignite a sense of awareness of the injustice and suffering caused by racism, segregation, and discrimination toward the black populace. King and X achieve this effect by strategically utilizing florid diction and appealing to their audience’s compassion, rationality, and assuring the people of their credibility.

        Dr. Martin Luther King, Jr., a prominent writer, minister, and civil rights activist, inherently focuses on the “Negro’s experience of pain, broken promises, and now rising rage in a country” (Lischer 8). His speech introduces a passive take on the black community’s struggle, yet enforces a sense of urgency that causes the basic white and black community to rationalize the desolate condition that King attempts to portray. He utilizes lovely metaphors, imagery, and anaphoric repetition to convey the greatness of the black man’s suffering as he recounts:

Five score years ago, a great American, in whose symbolic shadow we stand signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of captivity. But one hundred years later, the Negro is still not free. One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still anguished in the corners of American society and finds himself in exile in his own land. And so we have come here today to dramatize a shameful condition (King 532).

King effectively portrays in this passage, the pangs of racism that subtly evokes a sense of shame and discomfort for his white listeners, and a sense of identification within his fellow black congregation. Expressive words such as “withering injustice,” “captivity,” “sadly crippled,” “manacles of segregation and chains of discrimination,” “lonely island,” “anguished,” and “shameful condition” support King’s emphasis on the affliction experienced by the African Americans. King also aligns himself with President Lincoln, “a great American…who signed the Emancipation Proclamation,” in order to gain further accord from his ignorant white audience (King 532).      

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King’s rendition of broken promises and rising rage is a most compelling approach to his listeners, as his words are clothed in poetic language to conceal his underlying aggression (Lischer 8). King impresses upon both ends of his audience the injustice of defaulting America’s “colored citizens” their “promissory note to which every American was to fall heir…and guaranteed the unalienable rights to life, liberty, and the pursuit of happiness” (King 532). Such discrimination for such a prolonged period of time leads to King’s emphasis “to remind America of the fierce urgency of now” (532). He enforces this sense of immediacy ...

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