We watch all the television commercials from the Levi's European advertisement campaign that ran from 1984 to 1990, then picked three to analyze, review and compare by using media terminology.

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    We watch all the television commercials from the Levi’s European advertisement campaign that ran from 1984 to 1990, then picked three to analyze, review and compare by using media terminology.

Levi’s brand created an image of youth and freedom in the adverts. The American dream is normally created as a materialistic society in which people desire money and possessions; it is shown as a hot, sunny paradise. In many ways the Levi’s adverts are associated with young, unconventional, even rebellious people of whom people are envious or disapproving. In the adverts the men are usually presented as rule breakers whom the women follow. In a reversal of the normal representation men are also presented as the object of sexual desire. The images are created in the Levi’s advert with the type of people who are young or old. Youth is created in the Levi’s advert by the people around the scene. In the launderette when the young man sat next to a fat old man, it projects the young mans youthfulness and makes him appear better looking.

I will be analyzing the following adverts, Russia, Launderette, and Pick-up, in that order.

The Russia advert is taken place in an airport during the winter in Russia, and is filmed in black and white, it is the first thing you notice when watching the advert. It suggests to the viewer the advert is serious, but boring, old, and business like. In the beginning there is a long shot of a customs hall and a mix to close-up of a poster of Lenin shows its an authoritarian regime like Saddom Husscins. There is a pan to long shot of the traveler who stands out and arouses suspicion making the viewer suspect he is a rebel as in the other adverts. A mix to medium shot of the baggage check shows a suspicious, cautious society. In a close up of the contents of the case there is a magazine with James Dean that concludes the man just came from America. Then a mid-shot of a customs official looking sinister to show he means business. The traveler’s anxious faces shown in a big close up making him seem scared, because the official might find something which at this point the viewer do not know. The magazine makes the official suspicious in the close of his face. Senior officials march past with a mid-shot of a salute that proposes organization. During a close up the official starts smiling because the boss recognized him. Afterwards, there’s another close up of the official while he closes the man’s suitcase with sharp movements suggesting case closed. There is a long shot of the traveler alighting from a bus, then a mix to a very long shot of a deserted street with the traveler in the distance. The surroundings of the traveler conclude he lives in a poor place and is problem in the middle of a war because the place looks trashed. Meanwhile there is a mix to medium shot of a car passing with watchful faces through the window thus going back to the airport scenes. In a mix to long shot of the traveler walking towards an apartment building which is old, dirty, and resembles a prison, but its safe because of the many apartments reaching almost two thousand. The traveler being observed through an opening doorway in a long shot runs into he’s flat almost as if he is aware his neighbor is watching him. A medium shot of the traveler closing the door of his apartment with relief shows he’s happy, stressed out, and scared. Quickly opening his suitcase in a long shot of him being seen through a doorway clearly states he is excited and desperate to get something from his case. Eventually the traveler gets out a package and unwraps it, reviling Levi’s jeans and as he flips it over in a close up you see the Levi’s tag, which is highlighted in red to stand out against the black and white. A slogan in Russian is shown meaning, “There’s blue jeans, and then there’s Levi’s”. The slogan tells the viewer the jeans are different from others, that their better.

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My second advert is called ‘Launderette’, it takes places in the summer. It starts with a close up of a moving 1950’s American car, then pans to a mid-shot of a soldier standing outside a launderette to suggest organization and authority as in the ‘Russia’ advert. Following that is a close up of a mans hand opening the door of the launderette, with a close up of a little boy in a red baseball cap behind the man standing up causes you to think about sexuality because you could see his lower half of his butt where the boys head ...

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