Ratime Project

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History Context

When:

Ragtime music started in the late 1800’s . However, it did not become popular until the 1900’s. In fact, it was most popular from 1897 to 1918. Although after 1917, its popularity began to be replaced by Jazz, in early 1940s, Jazz musicians started to include some ragtime music in their repertoire. Even though ragtime music is still being composed now,  the most significant revivals of popular interest in ragtime music happened in the 1950s and the 1970s.

Where:

Ragtime music originated from America. It descended from the jigs and marches played by Afrian-Americans. Ragtime was first played Louisville by Ben Harney in 1895. One year later, it began to gain popularity in New York City and got more and more popular later on. Nevertheless, Missouri was considered to be the ’heartland’ of ragtime music. According to two well-known music historians David Jasen and Gene, ’There were more rags--and more good rags--from Missouri than anywhere else.’

Who:

Some famous Ragtime composers were: Jelly Roll Morton, Eubie Blake, Charles L. Johnson, Tom Turpin, George Botsford, Zez Confrey, Luckey Roberts, Paul Sarebresole, Wilbur Sweatman, Scott Joplin, Joseph Lamb and James Scott. Among these, the three most talented ones, according to wikipedia, were Scott Joplin, Joseph Lamb and James Scott, with Scott Joplin being the most sophisticated. Scott Joplin was the composer of the famous ’The Entertainer’. Some modern Ragtime composers include: William Bolcom, Tom Brier, Trebor Tichenor, Reginald R. Robinson, David Thomas Roberts.

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The Roots of Ragtime-The Blues

What:

The Blues is a kind of folksong used to express a feeling of depression. It is often used to show troubles in life, bad lucks, hardships of being a slave, losing family, gender roles and relationships. It usually has twelve bars and uses the AAB form, meaning that the first two lines are similar and the last line is to be improvised. Another special feature of the Blues is syncopation. Additionally, it has a call-and-response section, in which one person sings something and the others sing something ...

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