Compare and contrast the themes of death in Everyman and Morality Play

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Hasan Khalifah

English Literature        

Compare the theme of religion in “Everyman” and “Morality Play”?

The morality play was popular in England from 1400 to 1600. During this time Christianity was the foremost religion in England. Morality plays have been classified as “the dramatization of a spiritual crisis in the life of a representative mankind figure in which his spiritual struggle is portrayed as a conflict between personified abstractions representing good and evil”. For example in “Everyman” all the characters have been personified as “Good Deeds” and “Kindred”. This description although somewhat accurate is not the whole truth as some characters are personified abstractions but others are generalised types, while others act in propria persona. Furthermore in Morality plays, the protagonist is not so much a representative of mankind but as a representative of Christianity. This is because morality plays attempt to encourage religious beliefs on the audience.

The morality play “Everyman” set in the late 15th century tells the story of Everyman and his spiritual journey of redemption. The characters in the play are all allegorical; that is, each character personifies an abstract idea. The conflict between good and evil is dramatized by the interactions between characters. The play shows us not only how every man should meet death but also how every man should live. From this we see already the religious concepts that the play is trying to instil on the audience. The play is structured in one act. However this act is structured in two parts. The first part of the act is when “Everyman” learns that death has come for him and he seeks help from his material possessions. “Shall I have no company fro this vale terrestrial”. Furthermore we see him try to bribe “Death” to stay alive “Yea, a thousand pound shalt thou have and defer this matter another day”. From this bribe and through the way he asks for help from Goods, we can see that “Everyman” has led an unethical and corrupt lifestyle. The second part of the act in “Everyman” begins when he learn what he has done wrong and what he must do to avoid damnation. During this part of the play we see him converse with “Good deeds” and “Five wits” who reveal that he must increase his good deeds in order to avoid damnation. This progression from the first part of the act to the second part symbolises the journey “Everyman” is undertaking as he moves from sin to virtue.

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The play is told from the perspective of “Everyman” in rhyme and half rhymes. This is in contrast to Barry Unsworth’s “Morality play” in which the events that are told over the sixteen chapters of the novel have already occurred and are being retold. The two different perspectives that the play and novel are written from, provide both pros and cons when they are analysed. In “Everyman” we see events occur as they happen because it is in present tense. This allows us as the audience to connect more with the audience as there is more immediacy. In comparison ...

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