A technique which I think is of most importance in the successfulness of the opening of ‘Broken April’ is Kadare’s use of pathetic fallacy, where the description of the weather connects to the cycle of life. The use of the short sentences such as “daylight was fading” suggests that darkness is to come, and this in turn signifies that the end of life is near. At this moment in time, it is unsure whether the protagonist is to die or someone else, which thus creates tension. Furthermore, the use of this as a short sentence highlights its factual nature, and suggests the shocking nature that a life could end without any emotion, guilt, or explanation attached to it. This is again highlighted through the use of “fading light”.
Another way in which pathetic fallacy is used in order to build tension is through the use of winter, and coldness in particular. The state of being cold is normally connected with being numb, which is what Gjorg is described as having with his “numbed legs”, however, in addition to being physically numb, Kadare could also be hinting to the reader that the numbness felt by Gjorg is also emotional, where again, he does not appear to feel anything considering what he is about to do. This, in itself, is a very shocking concept to the reader, especially considering one of the first things that is mentioned in the piece is the “rifle’s stock”. Again, winter is thought of as the final season in the cycle, as well as the season where everything is covered, and ‘buried’ under the snow, much like a corpse would be buried under the ground, therefore the use of the setting being during the wintertime again shows the end of life.
A second way in which Kadare writes an opening to ‘Broken April’ that is successful is his use of symbolism, particularly in the mentioning of “wild pomegranates”. The pomegranate is commonly associated with the Greek Goddess Persephone, who was the Goddess of Spring as well as the Queen of the Dead. This therefore means that despite the pomegranate suggesting life through the “patches of snow”, which is essentially the fight for life even through a destined death, it is also saying the worthlessness of the fight. This contrasting imagery and symbolism shows the complexity of the situation, and therefore shows that the factual information that we have been given as explained in my previous point is not the whole story, thus making us contemplate our subconscious tendency to find a conclusion to a story that has barely even begun yet.
Through these devices, I think that Kadare has been very successful in creating an opening to a novel which makes the reader question themselves and their thoughts, before even surpassing the second page. Additionally, the use of pathetic fallacy in order to symbolise the cycle of life provides premonition for death to come, which may make us feel uncomfortable, but also hope through the connections to spring in the pomegranates.
