There is an association between reading Sophocles Oedipus Rex and performing the tragedy. A classic tragedy centered on a stricken King Oedipus, Oedipus Rex the book and Oedipus Rex the play have a profound effect on readers.

Performing a play requires more dedication than reading it. In the Exodus, Oedipus has an extensive speech that eloquently describes his harsh situation, “If I had eyes, I do not know how I could bear the sight, Of my father, when I came to the house of Death, Or my mother: for I have sinned against them both, So vilely that I could not make my peace, By strangling my own life.” (73) Reading this heartfelt acknowledgement touches readers and evokes a certain amount of emotional pity, but is nothing compared to the work put into performing the lines. Interpreting Oedipus’ feeling is one thing, but acting this out requires even more from a reader. Among many other things, performing the role of Oedipus demands several rehearsals to memorize the lines, understand the motives behind the lines, practice the blockings on stage and get used to interaction with other characters. Several readers favor reading the book, because it doesn’t require as much commitment as the play. Those who enjoy acting will take the extra step and dedicate their time and effort in turning the book to a play.

When reading a play and performing it, the five elements of a story: plot, setting, characters, conflict and theme remain the same. In the Exodus, the second messenger breaks the news to Choragos, “The Queen is dead,” (67). These four words are a fact and cannot be changed when turning the book into a play, no matter how crazy the interpretation is. The messenger could be emailing, sending a letter through a dove or texting Choragos, but the message will still be the same regardless of how he tells it. As long as the play is based on the same book, there is no way the main plot is altered. Directors can tinker with speech delivery, costumes, lights and sound, but their control is limited to the book’s main elements. Readers who perform the play have lots of freedom and chances to put their own twist on the story, but restrictions on story elements prevent them from going out of bounds and creating a completely different story.

        Performing a play and sticking to the five elements of a story will limit a director’s ability to cross the line and alter the story, but a play’s ability to be interpreted and requirement of more dedication distinguish it from reading the book. Some readers prefer reading a book because it is more objective and less interaction is involved. Other readers enjoy the subjective approach and look forward to interacting with other actors in performing the play. Particular readers may enjoy reading and performing equally. At the end of the day, it doesn’t matter which one the majority prefers. Reading a play and performing it are two expressive forms that have entertained so many people around the world. Hopefully they continue to do so for many years to come.