For architects Seymour Harris Partnership, designing St David’s Hall was an unusual, if not unique, commission for several reasons.

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For architects Seymour Harris Partnership, designing St David’s Hall was an unusual, if not unique, commission for several reasons. The primary challenge was how to provide a major 2,000-seat concert hall in the cramped space available and to complicate this issue, the building had to be fitted into an existing planned, and partly built, shopping centre. The result was that, in an incredible five years from conception to completion, an impressive 2,000-seat concert hall, with arguably the best acoustics in Europe was built directly over the St David’s Centre shopping mall. Because the shopping centre below the hall was already under construction, a huge rein-enforced concrete slab was positioned to transfer the weight of the concert hall onto the centres main columns. The architects were assisted by a team of consultants on several areas, for example in the acoustic design they had the advantage of some pioneering work by Cambridge University where they created a fifty-to-one scale model of the hall. With this they simulated the different acoustics arising from a small-scale stage party to a filled auditorium by using absorbent materials to recreate an audience. The autumn of 1982 saw exciting days at the new St David’s Hall. The special ‘open day’ on 30 August  attracted 21,000 people; nine days later came the first public concert, a free open rehearsal by the Polyphonic Choir. By the time the Queen Mother performed the official opening in February 1983, St David’s Hall had already transformed the artistic life of the Capital city. As Her Majesty said, ‘This exciting development will add greatly to the quality of life for the city of Cardiff and the people of the Principality.’ Situated in the heart of Cardiff, St David's Hall is the National Concert Hall and Conference Centre of Wales. Even with such a large national status they still believe that St David's Hall is a building to be enjoyed by everyone day and
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evening throughout the year. Although the hall is credited for its major concerts the hall itself puts on a range of small scale lunchtime recitals to promote young musicians and also give them a chance to gain vital performance experience. Even these smaller events are scheduled months ahead of the performance itself. The main stage however is organised years in advance with the schedule for the proms in 2006 already having been drawn up. For the smaller concerts on the day stage however the Hall turns to universities and colleges for example here rather than going to approach professionals because ...

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