Children's' Understanding of the Animate/Inanimate Distinction and its Implications.

Authors Avatar

Children’s’ Understanding of the Animate/Inanimate Distinction and its Implications

One of the core techniques that children employ in understanding the nature of things is that of recognising distinguishing characteristics in them, which allows categorisation of said items based on the sharing of these characteristics. In so doing they can create a mental database, allowing an object to be quickly compared to others with similar characteristics and so the individual can infer much information (about function and behaviour etc) onto a relatively unknown stimuli. This allows children to more quickly adapt to new objects they encounter and to select what action is most appropriate. Few of these categorical distinctions are as important to young children’s understanding of the world as the animate/inanimate distinction. It shows that they have the ability to separate perceptual and conceptual information of form and function and use it to discern if an object is living, or if it is merely an artefact. There is some argument as to whether the existence of this distinction is, to any extent, innate, or if it is an example of acquired learning. Either way, its existence has a number of possible implications, such as the support it gives to views regarding the acquisition of biological knowledge.

Rakison and Butterworth (1998) showed that categorisation in early infants and neonates is purely ‘perceptual’, or based on basic physical features (such as ‘animals have legs, vehicles have wheels’). By the end of the first year, categorical reasoning has become much more strongly ‘conceptual’, being based on common function and behaviour. At this point distinctions can be made where perceptual contrast has been minimised. Therefore it is at this point that the child can be seen to make the first proper animate/inanimate distinctions. They have been shown to understand that visually similar items such as (birds and aeroplanes) are still categorically different due to the biological nature of one and the artificial nature of the other (Mandler and McDonough, 1998).

In order to fully explore the extent to which children understand the animate/inanimate distinction, it is necessary to look at the various aspects which seem to make it up. These include evidence from studies of movement, growth and internal properties of animate and inanimate objects (Goswami, 1998). A number of experiments have been carried out to show that children can distinguish between animate and inanimate movement patterns, and these have shown that such a distinction is present in infants as young as 5 months old. In one such experiment light points were attached to all human limbs and the movement pattern of these (including all naturally occurring occlusions) were mapped onto a computer. These were then presented in series along with the same movement patterns minus occlusions, and random light patterns (with and without occlusions). Using a habituation/dishabituation system of analysis it was shown that these young infants recognised the human movement as distinct from the other movements shown (Bertenthal et al, 1985). Predictability and regularity have also been shown to form the basis of children’s understanding of the distinction between animate and inanimate movement patterns. Lamsfuss (1995) showed 4 and 5 year olds a series of pairs of dot patterns, one regular and one irregular, that they said were tracks left by either animals or machines. The children were shown to make the same correct responses as the adults and biology experts in the control condition.

Join now!

Experiments have also shown that children can make the animate/inanimate distinction regarding self-generated movement. In essence, young children can understand that animate objects have the ability to move deliberately and independently, whereas the movement of inanimate objects must involve the actions of an external force. For example, 3 and 4 year olds were able to look at pictures from two animate categories (mammals and non-mammals) and three inanimate categories (statues, wheeled objects and complex rigid objects) and successfully state which would be able to move up and down a hill on their own (Massey and Gelman, 1988). The animate/inanimate distinction ...

This is a preview of the whole essay