Nationalism, Sexuality, Violence, and Cricket.

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Nationalism, Sexuality, Violence, and Cricket

        In his essay From Game to War, Alan Dundes creates a strong link between the aggressiveness males show both on the field of war and on the filed of play. He believes that this instinct that is shown in sports to check, push, trip, tackle, and hit one’s opponent is the same instinctual characteristic shown by soldiers in the army. This masculinity that is manifested by these athletes and warriors come from one single root. Both soldiers and athletes, he argues, attempt to feminize their opponent through aggression and not stop until their opponent has completely sacrificed. Since these athletes manifest similar aggression and violence to soldiers and fighters, the fans, or fanatics, watching often inherit these characteristics. For example, in India, and all of South Asia in fact, cricket has become the sporting craze. It has become this craze for numerous reasons. Firstly, it is the sport that unified the country while under British-rule and helped them achieve their freedom. Secondly, it is one of the few sports countries, such as India, excel at on the international stage and thus the fans rally behind their players. Thirdly, and most importantly, the huge rivalries that exist between countries such as India and Pakistan often mirror the amount of tension that is relevant on the international political stage between the two countries. During a given televised Indian versus Pakistan cricket match, hundreds of millions of Indians sit and watch the action from their home. This drama, history, and success is why these fanatics become to entrenched in cricket, and often riot and cause violence because of it.

Cricket is the unofficial national sport of India, and its development has been closely tied with the history of the country, mirroring many of the political and cultural developments around issues of race, caste, sexuality, and nationality. In addition, cricket not only parallels but also creates the history of late colonial India as well as modern day India, and thus becomes a national identity for the country and its citizens.

        Cricket, similar to most sports as Dunde points outs, falls in the masculine arena and thus is traditionally understood as a masculine pursuit. This is one of the dilemmas that Arjie, the young, homosexual protagonist of Shyam Selvadurai’s Funny Boy, struggles with. After being caught playing games such as “bride-bride,” Arjie is admonished by his mother and father and forced to participate in a game of cricket. However, when given the opportunity to play, Arjie runs away from the game and indulges himself in dressing up and applying make-up and jewelry to himself with his older female cousin. Unlike cricket, this type of activity falls within Arjie’s comfort zone and allows him to be himself. However, Arjie is constantly pressured by his parents and is soon bewildered by his “sexual awakening.” Brian Pronger, in his book The Arena of Masculinity contends that homosexuals, for the most part, avoid athletics because they wish to have “no interest in pretending to be straight or masculine.”  This demonstrates that the inherent masculinity in sports often divides people rather than uniting them. Since cricket is the national identity and craze of India, and cricket is inherently masculine, we must ask ourselves: Does this create a masculine identity for India and/or does this masculinity create or exacerbate problems such as violence and war?

Brought to India by the British during colonial times, India quickly grasped cricket and ran with it. Not only has the intrigue and excitement captured the country, but also the politics and scandal have become infamous throughout the sport. Nonetheless, cricket has become the country’s national identity ever since the yearly Pentangular tournaments began during the early 1900s. As one observer of the tournament recalled, “the city was swept by a furious epidemic. For nothing moves the placidity of Bombay as the premier sporting event of India…In Bombay you go on working and clogging and grubbing the whole year round – except in this week.”  

The British in India saw cricket as a vehicle for cementing relations between them and the Indians. Lord Harris, a Governor from 1890-1895, created the foundation for the Pentangular tournament. He set aside land for three cricket clubs: one for the Parsis, one for the Hindus, and one for the Muslims. Lord Harris believed that through cricket, he could “held bring about friendly relations between Britain and ‘the several races on India.’” More than just uniting the British and Indians, it also helped unite the “several races” of India. This unification is clearly portrayed through the award-winning film Lagaan. Lagaan’s story takes place in an Indian village in 1893. The colonizing British place taxes, known as lagaan, onto the rural village. The villagers protest furiously since they are in the middle of a devastating drought. Out of amusement and a wish to humiliate, Captain Russell bets the outspoken Bhuvan that if the Indians can beat him and his men in a game of cricket, they will impose no lagaan for three years. If the Indians lose, the lagaan is tripled. The unification is shown through Bhuvan’s attempt to gather different players from different religious and social groups to join his team and defeat the British. For example, he recruits a low-caste fortune-teller named Guran, whose crippled arm allows him to throw a tricky curve ball. There also is Deva, a muscular Sikh whose service in the British army has fueled his contempt for his former superiors. Led by the confident, yet simple Bhuvan, the team shows courage and determination in defeating the British. Bhuvan’s leadership helps the players come together and unite as a team in order to succeed. This unification and determination help characterize India’s national identity as they faced colonization. Furthermore, the film, produced in the year 2000 (decades after independence) gives modern-day Indians a sense of achievement and joy in the realization that they can and have defeated the British.

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However, colonial Indian cricket served as often to divide as of unite. P. Baloo was a camar, a member of the low leather working caste. Baloo’s skills with the cricket ball were first discovered by the British members of the Poona Gymkhana, where he worked as a servant. With a remarkable bowling skill, he was recruited by the Brahmin team and played very well, but was not allowed to dine with his teammates. Baloo eventually joined the Hindu team, against the will of a few Gujarathi teammates. “Baloo was the greatest Hindu cricketer…but he was never made captain…Equal opportunity in ...

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