Retail Management - A comparison of bricks and clicks of TOPSHOP

Authors Avatar

MG 3039

MANAGEMENT OF RETAILING

“A COMPARISON OF BRICKS AND CLICKS”

OF

TOPSHOP

Word Count: 2, 484

LIST OF CONTENTS

1. Introduction……………………………………………

2. Visual Merchandising…………………………………                                        

3. Web Atmospherics……………………………………..                                                                 

4. Comparison…………………………………………….

                                

5. Customer service offerings……………………………                          

 

6. Logistics………………………………………………..                                                        

7. Adv/disadvantages of E-retailing…………………….                            

8. Conclusions……………………………………………                                                                          

9. Bibliography……………………………………………

                                                               

10. Appendix………………………………………………                                                            

1. INTRODUCTION

Topshop is an important fashion retail brand targeted towards young style-conscious customers.

Topshop has undergone various changes from its launch in 1964 to its present state.  Using the wheel of retailing as a framework, it is clear that the retailer is currently in the Trading up phase (appendix1).

This report presents an investigation comparing the retail and e-retail operations.

2. VISUAL MERCHANDISING

Image differentiation and fresh retail look is provided by Topshop’s catwalk fashion trends’ through visual merchandising in-store.

2.1. Store Environment

Store environment is vibrant, energetic and lively; according to Wilson ‘what really made Topshop a knockout was the exuberant atmosphere.  It felt more like a swinging underground club than a retail store’. (Wilson, M., 2005, Mad for Topshop)

2.2. Atmospherics in Retailing

Kotler (1973) defined atmospherics as The conscious designing of space to create certain effects in buyers… atmospherics is the effort to design buying environments to produce specific emotional effects in the buyer that enhance purchase probability’. (McGoldrick, 2002, pg 459) 

Topshop stimulates customer senses by using the following dimensions to enhance the appeal of their stores and to create a favourable atmosphere.

2.2.1. Visual

  • Uses softer lighting to create more relaxed, pleasant moods’ as ‘levels of lighting have been shown to influence individual behaviour’. (Tony  & Ogenyi, 2003, pg 385)
  • Spot-lights have been used to pick out and highlight merchandise.
  • Merchandise, big images of models and in-store signage visualise being ‘young, fun, authentic and sassy’.

2.2.2. Aural

 

  • The use of large plasma screens playing fast music videos captures the attention of customers towards the store as ‘faster music can be used to increase the rate of flow’. (Kent  & Omar, pg 386, 2003)

2.2.3. Olfactory

  • Pleasant sweet and fresh orange scent in the changing rooms and throughout the store.

2.2.4. Tactile

  • The hard wood flooring surface represents warmth and style.
  • The co-ordinated display tables with merchandise provide the tactile experience as ‘the ability to touch merchandise can be a major step towards buying, moving the shopper a step towards processing, as well as providing reassurance about texture, quality, etc’.  (McGoldrick,  pg 464, 2002)

2.3. Merchandise presentation – Appendix 5

  • The fashion orientated outlet uses soft line fixtures (four way and round racks) and merchandise arranged in a free flowing format.  (Dunne, pg 511, 2002) 
  • Use of mannequins punctuates each section of the store.  Creates an overall fashion look by placing complementary merchandise categories adjacent to one another’  such as tops, skirts, fashionable tights and other related accessories ‘helps the shopper visualise how the garments will enhance their appearance’. (Dunne, pg 51, 2002) 

2.4. Store layout

  • Uses a mixture of boutique style and free-flow format (seen in Topshop Flagship store on Oxford Street – as depends on size of the store.
  • This approach focuses towards maximising the interface between customer and their merchandise promoting flexibility. (Varley & Rafiq, pg 173, 2004)
  • Boutique style for specialist merchandise such as Petite, Tall range, casual and party wears.
  • Navigation is clear.  Although the store is crammed with a diverse range of product each area has a very different look and feel.  

2.5. Display Techniques -         Appendix 5

Topshop uses constantly evolving windows and store displays as a voice of the brand

such as

  • Co-ordinated displays: see section 2.3
  • Specialist displays: seasonal and on-promotional merchandise.
  • Window display: open and closed frontage varies from store to store.  
Join now!

2.6. Impulse Purchasing Techniques

Topshop maximises impulse purchases through design and arrangements of its retail environment (McGoldrick, pg 485, 2002).  Confectionery called ‘Topshop sweet shop’, rack of costume jewellery and lingerie near the till as small, lightweight, easy to store products and less frequently purchased items are more susceptible to impulse buying’.

3. WEB ATMOSPHERICS

In terms of e-retailing, the equivalent stimulus is through visuals, sound, personalisation/ customisation, usability and text.

3.1 E-store design

E-store design refers to ‘the purposeful design of the e-retailer’s site.’ (Appendix2)

The design of the ...

This is a preview of the whole essay