Aimee Haynes

Professor Vince Landro

Integrated II

18 February 2008

A Doll’s House Analysis #2

        In Henrik Ibsen’s A Doll’s House, many themes were presented. These themes are scattered throughout the play through the way each character speaks, the title, the subtext, and the storyline itself. The author has offered themes that can be seen in many different perspectives. As I explored the themes and symbols of the show I came across some interesting ideas I thought were very intriguing. Ibsen had many underlying meanings in this show, and I could see how that would influence an actor who was playing a part or a director, because it would help explain meaning to the authors work.

        Within this play I first noticed the central issue in act one. Nora is the character whom the author seems to make her appear as if she is a woman of luxury. She is actually cast as a symbol of women in that particular time. That is, women who were content with living luxuriously. This brought my attention to a theme which is that money is the key to happiness. Nora wouldn’t believe she would be happy if her husband wasn’t bringing home the money. I felt like this was such a basic idea, but such an important theme because it ran so fluidly throughout the entire play. There were many specific mentions of different currency types. Also, Nora is known as a “spendthrift” to Torvald. He prides himself on no debts, and being clean and clear with money. She, however, seems to ask him for money all the time. After already asking for money two times in the script, she goes on to tell Torvald what she wants for Christmas, and she says, “If you really want to give me something… you could give me money, Torvald. Only as much as you can afford; then later I’ll buy something with it.” This just shows how important money is to both of them, but in completely opposite ways.

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        The extreme difference between the roles of Nora and Torvald show many themes for those characters that continue throughout the play. The most obvious theme is the view of Nora as a child. Torvald always used pet names for Nora which all contained some connection to children. For example, he called her “little girl” and “little one”. There were also many references to the way she acted around him and the way she carried herself as a mother. Torvald almost seemed like he carried more of a father role rather than a husband role. She would act like she needed ...

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