• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

How influential was Jan Van Eyck?

Extracts from this document...


´╗┐How influential was Jan Van Eyck? It is argued that the development of realism in the north could not have happened without the influence of Italian art. Such an argument however fails to consider that there was a strong tradition of realistic representation in the north; most evident in the sculptures of Carl Sluter. This realistic approach to depiction had in turn its roots in the Sienese art of the trecento whose influence underpinned the move towards realism in both the north and Italy. Therefore it can be argued that the advent of naturalistic depiction was not sudden, it did not suddenly appear with Van Eyck; he fits in with the natural development of the trend. However Van Eyck's influence is discernable in his approach. He takes realism further than any of his predecessors in its hair-splitting minuteness. His approach is akin to an attempt to get as close as possible to the perfection of God by trying to reconstruct reality down to its minutes detail. The care that Van Eyck took to depict in meticulous detail even the most insignificant object must have had a considerable impact in laying the foundations for the development of still-life, which became an important genre in Dutch and European art in subsequent centuries. The focused attention on every day objects, seeing them as sacred however insignificant, must have had an impact on the development of still-life. Looking for instance at the depiction of fruit in the Arnofini Wedding, the apple on the window sill, the oranges on the furniture, a gentle clear light falling on them. It is easy to see how such an approach could have sown the seeds for the development of still-life. ...read more.


He also focuses in detail on rendering the texture and attached jewels on St Lawrence?s vestment and the embroidery on the hanging cloth which inevitably invites parallels with Van Eyck. Van Eyck had a medieval outlook. He considered the whole of creation as a book of metaphors and symbols each representing various aspects of good and evil. What may appear to be a simple domestic interior is in fact an allegory with profound implications. In the Arnofini Marriage for instance we find the suggestive use of symbolism in the form of an orange on the window sill which in the context of what is being depicted takes on a whole new meaning. Therefore seeing symbols in everyday objects and using them as such could be considered as an important aspect of Van Eyck's influence. The minute realism that we find in Van Eyck, his compositions, and symbolism in the form of everyday objects are all for instance apparent in Rogier van der Weyden's 'Annunciation'. Likewise there is a clear affinity in terms of composition between 'St Luke Drawing a Portrait of the Virgin' and Van Eyck's ?Rolin Madonna?. Like in the ?Rolin Madonna? the figures are set in a logia and beyond the arches can be seen a town. With respect to the treatment of symbolism, composition, and realistic depiction of reality a parallel can also be drawn between Memling's 'Annunciation', the 'Arnofini Marriage', and ?Annunciation' from the workshop of Rogier van der Weyden. A similar treatment to Van Eyck?s with respect to symbolism and detailed rendering of reality can also be seen in the work of Robert Campion especially in the Werl Triptych. Consequently it can be argued that with respect to composition and the symbolic treatment of everyday objects there is a clear affinity that runs through early Flemish painting. ...read more.


It is possible to see Van Eyck?s influence as initiating an approach whereby the manifestation of the divine is conveyed in the perfect reconstruction of what is being depicted. Therefore although it is well enough to look for Van Eyck?s stylistic influence, which very probably was not significant it being likely that he was merely within, and responding to, stylistic trends; it could be more fruitful to consider his influence in terms of approach and attitude. For instance seeing divinity in all aspects of creation and striving towards a detailed depiction of every object however insignificant. Therefore it can be argued that Van Eyck?s influence is not easily discernable not because his influence was small but because it was subtle and did not fully manifest itself until the seventeenth century. It can therefore be argued that Van Eyck's stylistic influence was not significant, that in fact in this respect it was limited especially when considering that the more sentimental style of Rogier van der Weyden had a more pronounced influence on the generation following that of Van Eyck. Van Eyck's influence was more significant in respect of outlook and approach which consequently made it more profound and far-reaching. The composition of the Arnofini Wedding for instance was derived from medieval sculpture as was the life size representation of Adam and Eve and borrowing and lending features like convex mirrors can not amount to influence. Van Eyck?s influence must be seen in terms of execution of showing what is possible, as stimulation. Nor can it be argued that with Van Eyck we see the advent of seeing reality itself as sacred. This was a prevalent theological idea in the late middle ages. What is significant is how Van Eyck responded to it. Therefore it?s ultimately in the execution that Van Eyck?s influence lies in. ...read more.

The above preview is unformatted text

This student written piece of work is one of many that can be found in our University Degree Fine Art, Design Studies, Art History, Crafts section.

Found what you're looking for?

  • Start learning 29% faster today
  • 150,000+ documents available
  • Just £6.99 a month

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

See related essaysSee related essays

Related University Degree Fine Art, Design Studies, Art History, Crafts essays

  1. The Annunciation. In this essay, I will compare and contrast two of such paintings ...

    Here, the unnaturally long bodies of the figures are covered in loose drapery that only reveals pallid faces, hands and feet and it is the stark chiaroscuro over the folds of the garments rather than the skin, which imparts volume, albeit in a less defined, fluid manner.

  2. In the painting titled Domestic Happiness, by Lilly Martin Spencer, she brings out a ...

    As we look more closely as the items of clothing to see if in fact they are wearing adult clothing, we see that the clothing must be the mothers. It could be the undergarment of what the mother wears beneath her dress.

  1. Artists of the early 20th century Modernist era often denied any influence by African ...

    to find many of the Fang stylistic features present in his work. Taking the Female Figure in Flenite (1913) as a key example that follows African rather than European sculptural conventions - Epstein acknowledges the 'primitive' free sexuality and creativity displayed in the Egyptian, Assyrian and African art that he

  2. 'The More You Know The More You See' with reference to Michelangelos 'The Creation ...

    for many years, andis perhaps one of the most iconic images of the depiction of the book of Genisis. The near-touch on first viewing suggests that the act of God giving full life to Adam is just about to occur, as though Michelangelo captured the moment just second before.

  1. Discuss how the idea of the Apocalypse has impacted upon the work of artists ...

    Giotto uses the traditional forms of structure in the Fresco with God being in the centre of the image encased within the mandorla. Here God is like a representation of the Sun, central to our universe and completely in control of our fate.

  2. Identify and explore any three ways in which the Church affected the development of ...

    By showing this, Duccio is stressing the power of God and Christianity, a message clearly aimed at the Christian public. The Church also had a huge impact on music, especially at around the time of the Reformation. At the beginning of the sixteenth century, Christians from across Europe (from Poland to Spain and Italy to Scotland)

  1. Feminist Art. Representation of Womens Bodies in Art , Rap and Film.

    When n**e they are almost always looking in the mirror, looking at themselves. Staring at the mirror is considered feminine. So people expect women to be self-centered because they spend hours looking at the mirror. Either way, looking at art is gendered towards women.

  2. Commentary on the Arnolfini Wedding by Jan Van Eyck, 1434

    Light also plays a big part in this painting. Jan van Eyck was able to play with light and shade effects in the painting to create a three-dimensional effect but he especially used light to evoke space in an interior. Van Eyck created a painting with an almost reflective surface by applying layer after layer of translucent thin glazes.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work