The research on musical varieties and preferences examined on particular examples of the music art.
The research on musical varieties and preferences examined on particular examples of the music art. . Give full details of your musical background and interests. 2. Read the beginning chapters on Elements of Music. Now find a block of time when you can be left undisturbed for at least 5 minutes. The choice of time and location are entirely up to you. 3. Try to describe and explain as many of the sounds around you as you can using a listening chart. 4. Write a concluding paragraph in which you address the following questions: a) Was there unity to what you were hearing? Did certain sounds keep repeating (like a barking dog). Or did things keep changing? b) What kind of sound environment was this? In the country early on a Sunday morning? A busy traffic intersection? An office...? c) How was your mood affected? 5. Silvie? is a folk song composed by Huddie Ledbetter, a.k.a. Lead Belly, (1889-1949 6. The ?Body and Soul? and Haydn ?scherzo? excerpts (pp. 32-34) both illustrate basic features of repetition and contrast, but they are obviously very different in terms of sound and style. What are some of the ways in which repetition and contrast are achieved in these examples ? 7. The Night They Drove Old Dixie Down? (pp.57-58) is a remarkable example of a ballad song recalling a brutal event on the night of April 2,1865 during the last days of the American Civil War 8.
Research Dissertation:how is the live events industry dealing with negative impacts effecting the enviroment?
RUTH GORDON How is the Live Events Industry dealing with Negative Impacts Effecting the Environment? [Type the document subtitle] 05054165 Festivals have long been an important part of the British summer, regardless of the weather, the music or the current state of afairs, people will always make the effort to party in a field for three days and nights. Unfortunately this has its negative impacts; many of those are effecting the environment. This report examines what is being done to combat these issues and who is leading the way towards a 'greener' future. Table of content Abstract This project examines and identifies the main management issues involved when considering the environment and the negative impacts being caused by the live events industry. The issues have been discussed in great detail especially regarding the importance Improving EFP (environmentally friendly practices). Developing these practices and finding out what festival promoters are doing is a major focus in this project. Issues include waste management and the techniques that can be adopted to minimise waste. The importance of reducing Co2 Emissions by tackling important issues such as audience transportation methods and improving public transport's image when festival goers are considering their route to the festival. The range of methodology used to source the argument and create
Jazz vs Classical Music
Jazz vs. Classical Music Upon entering a modern record store, one is confronted with a wide variety of choices in recorded music. These choices not only include a multitude of artists, but also a wide diversity of music categories. These categories run the gamut from easy listening dance music to more complex art music. On the complex side of the scale are the categories known as Jazz and Classical music. Some of the most accomplished musicians of our time have devoted themselves to a lifelong study of Jazz or Classical music, and a few exceptional musicians have actually mastered both. A comparison of classical and Jazz music will yield some interesting results and could also lead to an appreciation of the abilities needed to perform or compose these kinds of music. Let's begin with a look at the histories of the two. The music called classical, found in stores and performed regularly by symphonies around the world, spans a length of time from 1600 up to the present. This time frame includes the Renaissance, Baroque, Classical, Romantic and Contemporary periods. The classical period of music actually spans a time from of 1750 to 1800; thus, the term Classical is a misnomer and could more correctly be changed to Western Art Music or European Art Music. European because most of the major composers up till the 20th century was European. Vivaldi was Italian, Bach was German,
Analysis of Debussy Trois Nocturnes Sirnes
Analysis of Debussy Trois Nocturnes Sirènes Charles Koechlin, in his book on Debussy, commented that "Sirènes has a subtle charm, and an irresistible and fatal sensuality that emerges from the slow vocalises. If its construction appears a little uncertain - especially after the precision of Fêtes - this uncertainness is surely intentional."1 The apparent "uncertainness" of construction that Koechlin wrote with regards to Sirènes most probably arises from the absence of a clear tonality which matches Debussy's intentions. This is compensated by skilful organisation of phrase structure and orchestral texture. Harmony Typical of Debussy, this movement of Nocturnes has a sense of movement without direction and this can be illustrated clearly from bars 42 to 55. The lack of clear harmonic progression results in this extract's ambiguous tonality. In bars 41 to 42, the parallel chords moving in cycle of fifths (D - A - E - B) beginning on D at bar 38 (see fig. 1) are replaced by a III - I progression establishing the tonic of B as shown in fig. 2. The III - I progression is a harmonic progression is not typical of the common-practice era and this cadential arrival is largely implied as a Debussy tries to blur the harmonic progression by adding non-chord tones such as F# and D to the E major chord. In fact, only the central chord is tonally conceived in its own structure. The
Short Analysis of "Five Pieces for Orchestra op. 16, mvt. 1" by Arnold Schoenberg
Chris Lexow Schoenberg Analysis MUS 3542 Analysis of “Five Pieces for Orchestra op. 16, mvt. I” – Arnold Schoenberg Arnold Schoenberg is undoubtedly one of the most well-known, gap-bridging composers between the 19th and 20th century. His invention and use of serialism, atonality, and the twelve-tone technique have helped inspire some of the great minds of his generation and beyond. His teachings and writings were not only influential to his well-known and respected composition students, but to other composers and musicians worldwide. Without Arnold’s unique perspective in theory and composition, music may have never evolved into what it is today. Arnold Schoenberg was born in September of 1874. As an Austrian composer, Schoenberg was well-associated with the expressionist movement in both German poetry and art. He was also the founder and leader of the Second Viennese School. Throughout his life, Schoenberg was known as an important musical theorist, a painter, and of course, an influential teacher in composition. Once moving to the United States around 1933, Arnold taught at several well-respected schools, and held students such as John Cage, Lou Harrison, and H. Owen Reed. Schoenberg also experienced triskaidekaphobia (the fear of the number 13); it may have been his superstitious nature that killed him. Regardless, Arnold Schoenberg passed shortly before
Music Industry Roles - it is by analyzing some of the roles in the music industry that we can understand properly what is the structure of the business, how its component parts interrelate, and how insuring yourself, being conscious of wher
A1 - Music Business Music Industry Roles 2446 words Music Industry Roles The world is constantly changing. Ever since humanity started evolving, so did technology and since the Internet was invented, it has been changing even faster. Information can travel from one end of the world to another in a matter of seconds, and people live very fast paced lives. Lives were information is everything. Due to the importance of information and how amazingly fast it gets to every corner of the world, there is an added value to the contents of the belongings and creations of every mind and a need to protect every original idea. Most people look after their belongings and their creations, from writers and architects, to business administrators, doctors and layers. Almost everyone that has belongings or creates something by themselves tries to find a way to ensure their valuables will be protected somehow. A very common way of making sure personal belongings are protected is buying an insurance from an insurance company, this preventing property from being completely lost in case something goes wrong. Even people form the media insure their most curious and unusual valuables, for example, The BBC (1999) announced that "Food critic and gourmet Egon Ronay insured his taste buds for £250,000". It may seem silly at first sight, but his job is basically to give opinions about different
The Evolution of Dub Music.
Midterm Paper The Evolution of Dub Music To really understand the roots of Dub reggae music one must delve into the Jamaican music scene of the late sixties and early seventies. The economic state of Jamaica has always seemed to dictate the direction the music industry has took both for the consumer as well of the producers of music. Not that many people could afford to buy records in Jamaica which posed a great risk for every release a producer had. This helped create the essential role of the Jamaican Dancehall. The Dancehall was a place where many potential releases where previewed to see the reaction the crowd had to the record. The dancehalls were controlling many times, the sound that was pulsating through Jamaica. As the popularity of the Sound System grew in the late 60's so did the competition between sound systems. Leaders of the sound systems such as Duke Reid and Clement Coxsone began to see competition. For the most part competition was determined on who had the "exclusive tracks" to play at their sound system. The goal was to play music that no other sound operator could. For this reason many producers would buy the latest songs from record producers and cut the tracks on acetate records so that the songs could be played exclusively on their sound system. (acetates are cuts of record usually rather limited in quantity and of lower quality limiting
The Hebrides - Mendelssohn.
Oliver Stevenson The Hebrides - Mendelssohn 829- Mendelssohn and his friend Carl Klingemann caught a paddle steamer in Scotland to the town of Oban. They the went to the town of Tobermory and while staying in accommodation, Mendelssohn wrote home heading this letter, 'On one of the Hebrides.' This contained this famous sentence and 20 bars of music, 'In order to make you understand how extraordinary the Hebrides have affected me, I have written down the following which came into my mind.' These bars were inspired by islands and sea between Fort William and Oban (or Tobermory). He called the first draft of his overture Dieeinsame Insel ('The Lonely Island') and on publication the full score it was headed Fingals Hoble, and therefore it is assumed that the island of Staffa (uninhabited, tiny and very rocky) was the lonely island and the main inspiration for his music. But in Mendelssohn's published letter's there is no mention of Staffa and the title foisted by the publishers meant that it wasn't the Fingel caves which inspired him and Staffa wasn't the lonely island. Mendelssohn composed the Hebrides over just under a 3- year period but there were 2 different versions written. The first version was finished in Rome in December 1830 and he headed it Die Hebriden bur someone took a copy of it before Mendelssohn had made most of his alterations called Die einsame Insel. In
Current Trends in Music Education
Derek Fleeman November 19, 2010 Current Trends in Education Secondary school reform represents a vitally important topic. In the early twenty-first century, the major goal was helping all students reach high academic standards. This has yielded a number of innovative programs that attempt to balance students' personal and academic needs. Effective curricula include core learning in discrete academic subjects, increased foreign languages, interdisciplinary courses, and alternative assessment approachesi. The foundational skills of reading and writing are garnering more attention at the secondary level in all content area classes. Along with high standards, public schools must meet the needs of all students and provide an appropriate education for students with many diverse needs. Inclusion of students with disabilities requires schools to rethink the way classes are tracked and how services are provided to students who have difficulty in the school environment. Co-teaching arrangements, which allow subject area specialists to work with trained special educators in the same classroom, constitute one approach to meeting diverse needs. Some research indicates that smaller high schools are better settings for meeting adolescent needs and helping students reach their full academic potential. In an attempt to break down large comprehensive high schools, a number of options are
Sgt Peppers Lonely hearts Club band and 1960's
How might it be said that Sgt. Pepper's Lonely Heart Club Band reflects wider social concerns in 1960's Western culture? Does this reflection reside solely in the lyrics, or can it be detected in the musical material and/or structures? 'Cultural Movement among the young which may become part of the history of our times...'1(Pg. 157) These words where spoken by Sir William Deeds about The Beatles in the late 1960's. 1960's in Britain was a time of counterculture; taboos were being broken and a psychedelic movement in music, art and society was causing a break away from conventional society. Surrounding Western culture was the Vietnam War (1965-1975) as well as the Cold War (1945-1989) creating a prominent peace and love movement particular through out the youth's. Unemployment levels were low and the standard of living rose in the West leaving the youth of the day excess amount of money; creating a mind expansion towards rock music, eastern philosophy, drugs, and sex-a revolution in the mind. Radio had become a mass cultural phenomenon aiding music to be spread to a new and larger audience. Sgt Peppers Lonely Hearts Club Band released in 1967, encapsulated all these factors: it 'captured psychedelia, fashion, the vogue for eastern mysticism, the spirit of adventure, peace and love, and the anti war movement' 1(Pg.157). Sgt Peppers had become the summary of the 1960's through