Plato’s Philosophy

Name:                Jousianne Propp

Subject:        Theology and Ethics                                        

1.a)        The Allegory of the Cave

The Allegory of the Cave can be found in Book VII of Plato's best-known work, The Republic, a lengthy discussion on the nature of justice. It is written as a dialogue between Socrates and his apprentice Glaucon.

Plato creates the image of prisoners who have been chained inside a cave since birth. Their limbs and heads are immobilized so that their eyes are fixed to a wall opposite them. Behind the prisoners is a fire and in front of that there is a raised path, along which shapes of various artificial objects are being carried. These cast shadows on the wall. The prisoners assign names to the images they see and which they believe to be real, for this is the only reality they know.

One of the prisoners escapes and sees the fire and the people carrying the objects. He continues towards the mouth of the cave and steps outside. The sunlight blinds him and at first he can only make out dark blurry shapes which soon become bright and clear and he observes that everything he has seen in the cave are just images of the reality he sees now. Of all the things he discovers the last thing he sees is the sun which he regards as the cause of everything around him.

Realising that what he thought to be real up until now is wrong and that his fellow prisoners are still in the cave, not aware of the real world he just discovered, he decides to go back and free them to make them experience reality.

At this point Plato presents us with a problem: The prisoners in the cave don’t want to be saved. They don’t believe his story and see no reason for their reality of shadows shouldn’t be true. They cannot imagine anything else but their own truth, because they have never known any different.

In a metaphorical way this analogy outlines the mind’s journey from a world of incomplete knowledge to a world of enlightenment: the real world.

Plato claims that we are living in a world of false knowledge gained by the senses (empiricism) that is subject to change and decay. Complete knowledge (episteme) can only be obtained through human reason (rationalism) and unchangeable ideas in an eternal, non-empirical world.

The region revealed through the senses is represented by the cave which the philosopher (metaphorically the prisoner) leaves to discover the world of true reality that contains the perfect forms (ideas). His ascent into this world and the contemplation of things leads to the soul´s ascension to the intelligible world. The sun symbolises his enlightenment and the perfect Form of the Good. It is assumed that Plato thought of this as a form of creative God.

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Plato also outlines a pedagogic aspect (epiméleia), by the freed prisoner’s desire to return to the other prisoners and enlighten them. The state of ignorance in which we live makes us unsatisfied and leads to a philosophic aspiration for complete knowledge (as described in the Symposium).

Plato´s doctrine not only deals with metaphysics concerning the nature of being and reality (ontology), but also and most importantly theory of knowledge (epistemology).

1.b)        The Theory of Forms

In “The Phaedo,” Plato explains his theory of forms and ideas concerning the mortality of the soul. Plato makes a distinction between objects ...

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