ID No: 33066829

LAW OF CONTRACT

The scenario, which we have before us consists of many legal contractual principles that I am going to analyze.  The first issue we must consider is, whether a valid contract had been made between Julie Waters and Cheapskate Film Company, and what makes a valid contract.  Firstly we must establish whether an agreement had existed between the parties, and clearly we can see it had, because one party (the offeror – Cheapskate Film Company) had made an offer and the other party
(the offeree –
Julie Waters) had accepted it.  And so a valid contract had been formed on the basis of the classical analysis approach that an Offer + Acceptance = Agreement.  Now that we have acknowledged an agreement had been made, we can now move on to whether Julie Waters is entitled to claim from Cheapskate Film Company or not.

Julie Waters I believe is entitled to claim her money from Cheapskate Film Company, this being because using the Brodgen v Metropolitan Railway Company (1877) 2 App Case 666 case as a precedent we can see that a valid contract was formed once the company had asked Julie Waters to start filming.  We can see from the Brodgen case that they took the acceptance of the contract once Metropolitan Railways had ordered the first batch of stock, or once Brodgen had sent a supply of stock, and they accepted it.  So in this case we can take it that a valid contract was entered into and that Julie Waters, on her being contacted or contracted to start the making of the film, Cheapskate Film Company had accepted her terms of the contract, regardless of them not reading the terms she provided.

To back up my decision that Cheapskate Film Company owe Julie Waters the rest of the amount I am going to consider another case, Butler Machine Tools Co Ltd v Ex-Cell-O Corporate (England) Ltd [1979] 1 ALL ER 965, also known as the  "battle of the forms"...  In this case the 'last shot' principle was applied, which was established in the Trollope Colls Ltd v Atomic Power Construction Limited [1962 2 ALL ER 1035] case, which was put down by Megan J as:

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'The counter offer kills the original offer.'

If that is the case then the person who wins the "battle of the forms" is the person who last submits the counter-offer, which is accepted by the other party.  If we apply this principle to the situation at hand, of Julie Waters and Cheapskate Film Company we see that Julie Waters was the last party to submit a counter-offer and that she is therefore entitled to the extra £50,000.

From utilizing these two cases as a precedent I therefore conclude that Cheapskate Film Company do have a legally binding valid contract with Julie ...

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