Appearance vs reality in Heart of Darkness by Joseph Conrad, Pride and Prejudice by Jane Austen, The Scarlet Letter by Nathaniel Hawthorne, Hamlet by William Shakespeare, She Stoops to Conquer by Oliver Goldsmith, Medea by Euripides, Paradise Lost by Joh

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        Our society today revolves mostly around appearance and how people view themselves and others. Many people may judge another person by their exterior, which could be very different than their interior. Judging or assuming something about a person just by their physical appearance or even the way they act can be very misleading. This common conception can be described as appearance vs reality. The way something appears and the reality of it is a classic theme that is shown frequently in many novels. The theme of appearance vs reality to me can be defined in one word, “facade”. Appearance vs reality is the false exterior of a situation, person, or event, when in actuality it is something completely different. This is a common theme that can be found in many works of literature, poetry, and films. The central works that I will focus on are, Heart of Darkness by Joseph Conrad, Pride and Prejudice by Jane Austen, The Scarlet Letter by Nathaniel Hawthorne, Hamlet by William Shakespeare, She Stoops to Conquer by Oliver Goldsmith, Medea by Euripides, Paradise Lost by John Milton, Richard Cory by Edwin Arlington Robinson, Death of a Salesman by Arthur Miller, and Valkyrie directed by Bryan Singer. These all share the theme of appearance vs reality one way or another, through characters, character interactions, or events that take place within the works.

Heart of darkness is a good example of appearance vs reality within a character and event. The novel takes place during a time in which the Belgians are exploiting the Congo in Africa for their rubber. The appearance vs reality theme is ultimately the root of the whole novel. Marlow, the main character and narrator, believes he is going up the Congo to retrieve his friend Kurtz, an advisor who's initial intentions were to help the natives and bring the civilization and progresses. This all turns upside down. Marlow is able to learn more about Mr. Kurtz from a variety of people. The first is from the company manager and his uncle as they talk below Marlow’s steamship at night. They discuss about the amount of power that he has; the manager is worried that Kurtz will be able to take over his job with the amount of, “influence that man must have” (conrad, 28). His tone of voice is very frightened and he obviously knows that Kurtz is a man with great power, and holds that power over others. This intrigues Marlow, as he has always thought of Kurtz as being this type of person, and someone he can admire. He also learns of Kurtz’s supposed work ethic, or so he thinks, that made him return back to his camp instead of leaving Africa. Marlow says, “I did not know the motive.” (28); he chooses to believe, though, that Kurtz could be a regular hardworking person trying to do his best for his employees. Marlow soon finds out, however, that Kurtz is, “pampered and spoiled” (44), by wilderness, and that he is someone who cares for only himself. Everything that he can see belongs to him. This appearance of Kurtz is continuously overturned throughout the novel be the reality of his true nature and intentions.

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First impressions are important for character development in Heart of Darkness, as well as Jane Austen's Pride and Prejudice. This thematic element can be seen in the relationship between Elizabeth Bennett and Mr. Darcy. Elizabeths first impressions of Darcy are seen at the dance in the beginning of the novel. Mr. Darcy declines Elizabeth to a dance because he says (indirectly) that she is ugly except for her eyes. Elizabeth, without consulting friends or family, immediately makes the assumption that Mr. Darcy is very rude and ungentlemanly. Elizabeth’s first impressions of Mr. Darcy are based on an appearance of his ...

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