"The course of true love never did run smooth." Discuss how Act 1 scene 1 of 'A Midsummer Night's Dream' mirrors this comment of Lysanders';
"Throughout the play, and importantly the specific quotes and happenings of Act 1 Scene 1, we are continuously suggested that a tragic ending is to come, which captures the hearts of the audience and uses the audience's emotions to bring a sense of sympathy and compassion to the twisting storyline. The play conclusively ends with the marriage of Theseus and Hippolyta, along with the marriage of Lysander and Hermia, and Helena and Demetrius, and with Oberon and Titania overcoming their ongoing conflicts.
However, whether it is true to call the love between Demetrius and Helena 'true' may perhaps be the continuous symbol that is, love can run smoothly, but true love with no outside influences, is destined to be a long, confusing journey, that never did run smoothly."
Compare two or more screen versions of a scene from one of the plays on the course - You may consider the relevance of editing, additions, casting, mise-en-scene, etc.
"In conclusion, Olivier's portrayal of Gertrude and Ophelia in this scene shows that in his version, Hamlet is central to the play. It is clear that the women are positioned in relation to Hamlet, and are there to accentuate his role. In Zeffirelli's version, Gertrude dominates the film. It can be stated that Olivier's version is a pre-feminist version, where Ophelia is portrayed as a helpless victim. In comparison to this, Zeffirelli's Hamlet shows Gertrude as a prominent figure and is definitely a feminist version of the play. Overall, both adaptations of Hamlet offer a different interpretation of women. Olivier's is a post-war reading, which does not allow the female characters in the play to exert any issues, whereas Zeffirelli's version goes beyond this aspect to question and highlight the role of women in Shakespeare.
1 Morley, 1978, p. 100.
2 Davies & Wells, 1994, p. 181.
3 Morley, 1978, p. 100.
4 Pilkington, 1994, p. 165.
5 Kliman, 1988, p. 26.
6 Cartmell in Klein & Daphinoff, 1997, p. 29.
7 Lawson in Klein & Daphinoff, 1997, p. 231.
8 Cartmell in Klein & Daphinoff, 1997, p. 30.
9 Pilkington, 1994, p. 193.
10 Cartmell in Klein & Daphinoff, 1997, p. 36.