The treatment of Women in the History of the United States as portrayed American Drama
Jennifer CHUNG Hiu Kei 2005654208 ENGL3032 Advanced Topics in English Studies Title: The treatment of Women in the History of the United States as portrayed American Drama Due Date: 26 May 2008 Professor: Otto Heim Contents . Introduction and Background Page 30 2. Role of Women in American Society Page 13 3. Assimilating as a Woman Page 33 4. Conclusion Page 42 5. Bibliography Page 43 Chapter 1: Introduction and Background Drama is one of the quintessential attributes of English literature and to a certain extent, perhaps one of the more powerful categories as drama has the advantage of extra visuals to connect with the viewers than poetry or novels. With the influential element of props and actions performed with dialogue in scenes and acts, the ending segment of the texts often create a much more personal response among viewers in the form of 'catharsis'. Defined by Aristotle in Poetics at around 350 B.C, he structured tragic plays into four stages: hamartia, hubris, anagnorisis, and lastly catharsis. The first three stages illustrate the tragic hero, who is often the protagonist in the plays, with a flawed personality of some sort which is responsible for their downfall from a high status in their society. Catharsis on the other hand has more to do with the purging of emotions which cause the viewer to experience two particular feelings, pity
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During this project our focus was on the inclusion and exclusion of people on the basis of a criminal record.
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The Portrayal of Shakespeare's Hamlet in Cinema
Chapter One Introduction This dissertation is an exploration of William Shakespeare's play, Hamlet, on film, looking into the beginnings and history of Shakespeare on film and studying three famous and very different films of Hamlet; Laurence Olivier's Hamlet made in 1948, Franco Zeffirelli's Hamlet made in 1990 starring Mel Gibson in the title role and Kenneth Branagh's full text Hamlet made in 1996. I have decided to look at Hamlet on film because I believe film is relatively new medium and is interesting to see Shakespeare that was originally written for the stage to be brought to a mass audience in different and innovative ways. It is also important to discuss the different interpretations of Hamlet by different directors. I have chosen my three focus films because Olivier's was the first big cinematic work of Hamlet, Zeffirelli's was the first all-star Hollywood Hamlet and Branagh's was the first full text Hamlet. This therefore shows the various original ways in which Hamlet has been exposed to the film world. I also intend to illustrate why film is an appropriate medium for modern day Shakespeare fans and critics. My first chapter will outline and explore the dawn of cinema, the transition from theatre to cinema and the role of Shakespeare's plays in early cinema referring specifically to Hamlet. I will look at the earliest films of Hamlet and how they were
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BACKGROUND OF THE IDEA In creating the tragedy play King Lear, William Shakespeare used many sources in getting the base-line story, but it required his genius and intellect to place them together to create the true tragedy with its multiple plot lines that his play turned out to be in the end. The story of King Lear (or as it started, King Leir) is first seen in literature in the year 1135, contained in Geoffrey of Monmouth's Historia Regum Britanniae. Other authors placed King Leir into their stories including; John Higgins in A Mirror for Magistrates (1574), by Warner in Albion's England (1586), by Holinshed in The Second Book of the Historie of England (1577), and by Spencer in The Faerie Queen (1590). The most influential of all was probably The True Chronicle History of King Leir, which was anonymous. This play was performed as early as 1594, which is when it showed up in the "Stationers' Register." Kenneth Muir even suggested that Shakespeare "may have acted in it". Shakespeare took the best of all the sources of King Leir, added his touches and personality, and created the masterpiece we enjoy today. Geoffrey of Monmouth in Historia Regum Britanniae, gave the description of King Lear and his three daughters, and also the basis for the love test. One major difference is that unlike Shakespeare's Lear, Geoffrey's Leir does not appear to be insane and has not lost
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HOW DOES DRAMATIC IRONY AFFECT THE AUDIEDIENCE IN ROMEO AND JULIET?
HOW DOES DRAMATIC IRONY AFFECT THE AUDIEDIENCE IN ROMEO AND JULIET? The tragedy, 'Romeo and Juliet' was written in the year of 1593. The play includes a number of universal themes such as love, hate, death and loyalty so as to capture the imagination of a range of audiences. In this essay I am going to start by including a very brief history of the Globe Theatre. Then I am not only going to go through the play act by act to highlight the main examples of dramatic irony in each act. But also I am going to say how it affected the audience at all times. Finally, I am going to end with a conclusion, which sums up the main points that will be included in the essay. The Globe Theatre was built in 1598-99 by the Chamberlain's Company, it stood on the Southern shore of the Thames River in London. At this time Shakespeare was a member of the Chamberlain's Company. The first recorded performance was of Julius Caesar in September 1599. Many of Shakespeare's plays were written for and performed at the Globe, which burnt down in 1613. It was rebuilt in 1614, only to be destroyed by Oliver Cromwell's Puritan troops thirty years later. But if you want to get an idea of what the original Globe Theatre was like, the best thing to do is to visit the new Globe Theatre which was opened in 1997 about two hundred yards from the original site. It has lime plastered walls and a thatched roof,