"Evacuation was a great success" Do you agree or disagree with this interpretation? Explain your answer using the sources and knowledge from your own studies.
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How do Ivan Turgenev and Jane Austen use narrative techniques to 'show' and 'tell'.
Compare Elizabeth Bennett in 'Pride and Prejudice' in their judgments upon their parents. How do Ivan Turgenev and Jane Austen use narrative techniques to 'show' and 'tell'. In this essay, I attempt to show that both Elizabeth and Arkady exist in different eras of the century, however, they are not totally affected by the predominant social perceptions widely adopted by the society, namely, values pertaining to marriage, love, beauty of art and nature. Nonetheless, their social and personal beliefs have affected their judgments upon their parents. Both Turgenev and Austen have used various techniques in 'showing' and 'telling' to capture the reader's interest as well as enable the reader to understand the viewpoints of each character in the respective passages. In the first passage, Arkady shows no intention of pretence by replying very promptly yet cheerfully: "Fenechka?" (Turgenev,12). However, this may have appeared too embarrassing to Nikolai who blushes at the loud announcement of the name. In fact, Nikolai's stuttered reply displays that he is indeed self-conscious that probably a man of his age should be dating a young peasant girl of a different social class. Arkady expresses surprise with a hint of reproach - "You ought to be ashamed" - that Nikolai should apologise for the inconvenience of appropriate accommodation. He is actually telling his father that
How is Justine Presented in this Chapter? How Does Shelley Use Language to Create Effect in this Chapter? How Does Shelley Present Women as a Whole in the Novel?
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In both plays love is insanity, taking over the rational and lucid mind by delusion and self-destruction, which can only be cured when the insane are stripped of what they love the most and honesty, not deceit, take precedence.
Plot Outline Thesis: In both plays love is insanity, taking over the rational and lucid mind by delusion and self-destruction, which can only be cured when the insane are stripped of what they love the most and honesty, not deceit, take precedence. Point 1: The realization of the truth opens the eyes of the characters and finally allows them to see, and not be blinded. Shakespeare uses sight as a tool to cure the characters from their insanity. Proof: King Lear is insane at the beginning of the play and not near the end like one might think. It takes a series of rejections and scrutiny from his daughters for King Lear to understand that they made a fool of him for his land and riches, and that their devotion of love was a hoax. Only later when King Lear realizes this does he become sane. The love in idleness flower in A Midsummers Night Dream has a number of effects on the characters that have it used upon them. It makes all the characters a little insane or at the very least not their normal selves. Firstly it impairs both Lysander and Demetrious to love Helena and not Hermia, and also the insanity of Titantia, the Queen of Fairies, who has fallen in love with Bottom, an ass. Point 2: both plays use location to establish the mood and the location also goes hand in hand with the state that the characters are in. Proof: In A Midsummers Night dream the lovers Hermia
Judith PughMarking Tutor: Mark Brown To what extent are writers also detectives in the novels you have studied?
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Absurdist Theatre Waiting for Godot
Absurdist Theatre asks its viewer to 'draw his own conclusions, make his own errors' (Esslin, 1961, p. 20). I would argue that the intention of Waiting for Godot is to force the reader to draw their own conclusions without providing a climax and conclusion similar to what we would expect from traditional theatre. Theatre of the Absurd serves to convey an author's interpretation of the human situation. It does not show man in a specific historical or social context, it is not meant to communicate general views of our existence. An absurd character is remote in the world created. Absurd Theatre discards what we view as a traditional plot and characters to assail its reader with an unnerving encounter. Characters engage in apparently pointless dialogue thus the reader is given an impression of what it would be like to live in a world that is not coherent and does not "make sense". This is demonstrated by two men waiting around, repeating events, clowning and joking as they pass the time waiting through one day and then another. Although Waiting for Godot could be depicted as experientialist in its characterisations, the play is first and foremost about anticipation and hope. The play revolves around the characters and their pitiful wait for hope, e.g. Godot, to arrive. I would argue that Waiting for Godot is a play in which nothing happens yet manages to captivate the reader.
Arthur Miller’s Death Of A Salesman
Arthur Miller's Death Of A Salesman At the beginning of the play, Arthur Miller establishes Willy Loman as a troubled and misguided man, at heart a salesman and a dreamer with a preoccupation with success. However, Miller makes equally apparent that Willy Loman is no successful man. Although in his sixties, he is still a travelling salesman bereft of any stable location or occupation, and clings only to his dreams and ideals. There is a strong core of resentment within Willy Loman, whose actions assumes a more glorious and idealised past. Willy sentimentalises the neighbourhood as it was years ago, and mourns the days working for Frank Wagner, while his son Howard Wagner fails to appreciate him. Miller presents Willy as a strong and boisterous man with great audacity but little energy to support that impression of vitality. He is perpetually weary and exhibits signs of dementia, contradicting himself within his conversations and showing some memory loss. Linda, in contrast, displays little of the boisterous intensity of Willy. Rather, she is dependable and kind, perpetually attempting to smooth out conflicts that Willy might encounter. Linda has a similar longing for an idealised past, but has learned to suppress her dreams and her dissatisfaction with her husband and sons. Miller indicates that she is a woman with deep regrets about her life; she must continually reconcile
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In The Diviners, by Margaret Laurence, Morag Gunn's association with Ella Gerson provides her with opportunities to examine aspects of life that she might not have been exposed to otherwise.
Alternate Group Work Question: Write and approximately 300 word answer for the following: Morag sees a range of choices for women living in the 20th century through the female characters she meets. Choose one or two of the following characters (Mrs. Crawley, Ella Gerson, Mrs. Gerson, Julie Kazlik, Fan Brady) and describe what Morag gets from their relationship. Are there things that she both takes and leaves from her association with them? In The Diviners, by Margaret Laurence, Morag Gunn's association with Ella Gerson provides her with opportunities to examine aspects of life that she might not have been exposed to otherwise. Ella comes into Morag's life during a period of significant change and adjustment, and at a time when she needs support and friendship. Ella, like Morag, is a writer, and they first meet at University. Morag is, at the time, struggling with her insecurity as a writer and with who she is as a person. Ella is able to offer Morag emotional support and understanding that has been lacking for as long as Morag can remember, and for the first time "Morag tells - can she? she does" (196) someone about her writing, her past, and her hopes for the future. Via her friendship with Ella, Morag is exposed to the Gerson family, and to the first loving and warm family experience she has had since her parents died. Morag realizes "that she never knew until now
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