HOW DOES DRAMATIC IRONY AFFECT THE AUDIEDIENCE IN ROMEO AND JULIET?

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HOW DOES DRAMATIC IRONY AFFECT THE AUDIEDIENCE IN ROMEO AND JULIET?

The tragedy, ‘Romeo and Juliet’ was written in the year of 1593. The play includes a number of universal themes such as love, hate, death and loyalty so as to capture the imagination of a range of audiences. In this essay I am going to start by including a very brief history of the Globe Theatre. Then I am not only going to go through the play act by act to highlight the main examples of dramatic irony in each act. But also I am going to say how it affected the audience at all times. Finally, I am going to end with a conclusion, which sums up the main points that will be included in the essay.

The Globe Theatre was built in 1598-99 by the Chamberlain's Company, it stood on the Southern shore of the Thames River in London. At this time Shakespeare was a member of the Chamberlain's Company. The first recorded performance was of Julius Caesar in September 1599. Many of Shakespeare's plays were written for and performed at the Globe, which burnt down in 1613. It was rebuilt in 1614, only to be destroyed by Oliver Cromwell's Puritan troops thirty years later.

But if you want to get an idea of what the original Globe Theatre was like, the best thing to do is to visit the new Globe Theatre which was opened in 1997 about two hundred yards from the original site. It has lime plastered walls and a thatched roof, imitating the original in every possible detail.

Shakespeare himself was an actor as well as playwright and probably tailored a few of his roles to suit his own stage skills. It was however neither his writing, nor acting skills that were the direct source of his income, for actors and playwrights were both poorly paid positions to hold. Instead it was because he was a good businessman and held a share in the company itself. Although without his writing skills they would not have done nearly so well.

      The Elizabethan audiences commonly talked throughout the performances, despite pleas from playwrights for silence. If a gallant was sitting on-stage talking it would be very difficult for the audience to hear what was being said by the actors. And that was defiantly the reason why Shakespeare tends to repeat important information throughout his plays. In contrast modern audiences are required to keep silent during the performance.

Modern audiences mainly clap at the interval and conclusion. In opposition, the Elizabethan audience might well applaud, but they booed and hissed as well if they felt like it and hurled things at the actors when they disapproved of them. At the same time Food and drink were served as yet another distraction. One of the things actors complained most about was the cracking of nuts, which caused quite a lot of noise and disturbance. Absolutely not like modern audiences as they not eat or drink during performances.

    Most of the modern audiences keep their attention on what is   happening on the stage. Of course, all members of all modern audiences don't necessarily fulfill all the conditions mentioned above, but most people do, most of the time. The Elizabethan audiences however were obviously not always attending to what was happening on-stage. Because conversations were going on and food and drink were being consumed. The power of an actor would be shown by his ability to command the attention of the audience.

Acting at the Globe was radically different from viewing modern Shakespeare on screen. The plays were staged in the afternoons, using the light of day, and the audience surrounded the stage on all sides. No scenery was used, except for occasional emblematic devices like a throne or a bed. It was almost impossible not to see the other half of the audience standing behind the players. The actors (all males) would not have worn costumes as such, instead they tended to wear clothing cast off by the aristocracy and sold on by their servants. There also would have been little in the way of props. The female roles were acted by young boys before their voices broke, as women were forbidden by law to act on a public stage. 

The theatre was divided up into several distinct sections, and the types of people to be found in each part would have been quite different. The Globe catered to everyone; common people, merchants, professionals, soldiers, and even the aristocracy. Shakespeare in his turn had to do the same, creating plays that would appeal to every strata of society. It also has been estimated that about 20 to 25 per cent of the population attended the playhouses, which is a far higher percentage than today.

The cheapest portion of the theatre was the yard that lies alongside the stage on three sides. It would have cost 1 penny for a place in the yard, and as such was affordable to almost everyone. The people who paid for such a place would tend to be the poorest playgoers, such as the city's common labourers. They were known as Groundlings-they earned that name because of the fact that they had to watch from the ground-and 1000 of them could be squeezed into the Globe's yard. They could usually expect to share that space with members of various professions such as thieves and prostitutes.

The three galleries between them held another 2000 audiences. Unlike the yard, they, like the stage were covered against the elements. They also had the added luxury of seating. For these benefits you would have had to pay 2 pennies, and could hire a cushion for a third. Although all three galleries cost the same to sit in, the middle gallery was considered the highest status. The lower gallery was still uncomfortably close to the yard

The most expensive seats in the house were those known as the Lords Rooms. They were located immediately above and behind the stage in the area also used by the musicians. Although such a location may not seem ideal to the modern day theatergoer, these seats had a number of key advantages to the rich of the day. Firstly, they were well removed from the messes –noises and the smell- in the rest of the theatre. Second, they were themselves on display, so they could show off the latest fashions, and even the fact that they were rich enough to sit there. Third, although they could not see the play very well, they could hear it. This last point is actually extremely significant, since it was to hear plays that Elizabethans went to the theatre; there are many references of people going to hear a play rather than going to see one in the literature of the time. It is from this concept that the modern word audience is derived. Places in the Lords Rooms would have cost 6 pennies each.

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There is no such thing as a late comer in Shakespeare's time. The audience may arrive at any time and will always be allowed to assume their places. If people wish to see only one act, or maybe they have a meeting they can't get out of that overruns, then there is no difficulty about them turning up whenever they are ready, and indeed leaving at any time they so choose.

Moving on to dramatic irony in the play 'Romeo and Juliet' firstly, I am going to give a definition of dramatic irony. Dramatic irony occurs in fiction or drama ...

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