• Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Othello. Emilias monologue in act IV scene iii lines 82-99 articulate her views that women and men are not so different

Free essay example:

200806094 Lainy FletcherShakespeare way of thinkingDr James Bainbridge

An interpretative essay based on Emilia’s monologue in Shakespeare’s Othello.

But I do think it is their husbands' faults                                [82]
If wives do fall: say that they slack their duties,
And pour our treasures into foreign laps,
Or else break out in peevish jealousies,                                [85]
Throwing restraint upon us; or say they strike us,
Or scant our former having in despite;
Why, we have galls, and though we have some grace,
Yet have we some revenge. Let husbands know
Their wives have sense like them: they see and smell                [90]
And have their palates both for sweet and sour,
As husbands have. What is it that they do
When they change us for others? Is it sport?
I think it is: and doth affection breed it?
I think it doth: is't frailty that thus errs?                                [95]
It is so too: and have not we affections,
Desires for sport, and frailty, as men have?
Then let them use us well: else let them know,
The ills we do, their ills instruct us so.                                [99]

[Emilia’s monologue, Othello, Verse, act IV scene iii]

Emilia’s monologue in act IV scene iii lines 82-99 articulate her views that women and men are not so different, and that what is acceptable for the men, is too for women. In an attempt to unite the sexes with equality, her expression conveys a somewhat different meaning. The division between men and women is highlighted through the use of the colon “if wives do fall: say that they slack their duties.”[83] The reference here to both husband and wife failing the other in some way, is separated with the colon, which ultimately separates the “fall” of the wife and the men who “slack their duties” despite the argument that one occurs because of the other.

Emilia begin her monologue with confidence of the fault of men “but I do think it is their husbands faults” [82] shown by the simple declarative sentence types. However towards the end of her monologue she begins to ask questions, whether they are rhetorical or aimed towards Desdemona is not known. Perhaps the shift towards interrogative sentence structure highlights her confusion into the reasoning of men “is it sport?”[93] However, it could be perceived that the questions are a device of Emilia’s to argue her view to Desdemona, or perhaps to convince her to behave differently. The viewpoint that Emilia’s monologue is a response or an argument is shown by the use of the fronted of the conjunction “but”, used as a discourse marker or topic shift between Emilia and Desdemona. The use of “but” indicates a contrasting opinion, and could also indicate Emilia’s attempts to persuade Desdemona to her point of view. This can also be shown by the use of hedge within Emilia’s utterances “I think” [94] and “I do think” [82], which perhaps outline what could be perceived as self doubt at first glance, is in fact a persuasive device to soften her opinion to the “gentle Desdemona”. Another way in which Emilia does this is with the use of the infinitive tense, with the use of the conditional tense conjunction “if” which takes away the severity of the context, as it is supposing a hypothetical form. Similarly the use of vocative within the monologue is interesting, Emilia uses both “Husband” and “Wife” and the pronouns “they”, “I”, “we” and “our” as determiners to whom doing which action. It is notable that the vocative “Husband” and “Wife” never appear on the same line, and instead are separated through enjambment and punctuation, “if wives do fall: say that they slack their duties.” [83] The use of “wife” and “their” divides men and women, even despite the union of marriage.  The use of the inclusive pronouns such as “we” and “our” are used as a device to create unity amongst women, not amongst the sexes despite the context of the text. The inclusive pronouns used alongside the exclusive pronoun “they” in regards to men is used to metaphorically distance the men from Desdemona and to bring Desdemona closer to Emilia and her reasoning.

The portrayal of women in Othello, and generally speaking in Shakespeare’s tragedies on a whole, is that of passive victims, or deceivers of men. In Othello, we see the portrayal of women split more specifically into the “strumpet” and the “virtuous” and the confusion between the two ultimately creates the tragedy within Othello.  The “gentle Desdemona” [I.ii 25] is portrayed an emblem of a chaste Elizabethan life. Alongside the constant allusions to her purity and whiteness, Desdemona’s virtue is particularly evident within act IV scene iii in which she and Emilia discuss adultery, overall highlighting two very different opinions.  

“Desdemona: wouldst thou do such a deed for all the world?
Emilia: Why, would not you?
Desdemona: No, by this heavenly light.
Emilia: Nor I by this heavenly light;
iImight do’t as well i’th’dark.”

The religious imagery created with the use of “heavenly light” not only asserts this question in regards to the morality of the women in question, but overall fortifies the two women’s responses in regards to God and the conduct expected in a very religious conscious, Elizabethan society. Thus, overall reinforcing Desdemona as a virtuous character, on the other hand Emilia’s dark humour, leads the audience into questioning her character. The division between the stereotypical characterisation of women, and the differences in the two women’s opinions of ethics, creates a conflicting view point for the monologue which is to be examined.  

Emilia’s monologue expressed after her admittance that “The worlds a huge thing; it is a great price for a small vice” [IV.iii.66], goes somewhat to allow her to explain her reasoning.  Although she speaks of pouring “our treasures into foreign laps” [84], treasures denoting sexual favours and foreign laps, meaning other partners, Emilia in her monologue manages to maintain her pride and dignity whilst directly discussing the ideas of adultery and “revenge”. Emilia is not an idolised woman like Desdemona is portrayed, nor she is not a whore as Bianca is portrayed, she manages to articulate a balanced view which perhaps indicates that she plays a balanced female role and that she is neither end of the stereotypical spectrum. “She rejects the identification with Bianca yet sympathises with female promiscuity. She corrects Desdemona’s occasional naiveté but defends her chastity.”[1]  Despite Emilia’s contrasting opinion to Desdemona in regards to promiscuity, she is not her opposite, instead, heightened by Desdemona’s apparent naivety, Emilia’s viewpoint is represented as a more cynical, as opposed to Desdemona’s more romanticised ideas. “The contrast between the two women could not be more brilliantly articulated of more apt. We see that Desdemona would not be on the verge of destruction if she were only more like the grosser, cold and more sophisticate Emilia. Yet we also see that if she were more like Emilia, she would not be Desdemona.” [2] Emilia’s cynicism is perhaps more a case of practicality and experiences of living a married life. Emilia’s expression, “have not we affection, desires... and frailty, as men have?” [96-97], the use of the abstract nouns outlines her belief in equality of the sexes in regards to emotion, that both act as a result of human nature.  Similarly Emilia’s words “The ills we do, their ills instruct us so.” [98-99] mirror that of Bianca “I am no strumpet; but of life as honest as you that thus abuse me.” [V.i 122-123] Both women’s words highlight quite a feminist acceptance of sexual promiscuity, on the other hand, whilst Shakespeare manages to merge the lines between virtuous and strumpet, he firmly secures the women in the role of the passive victim.

In conclusion, Shakespeare creates comparisons between the three women in Othello. In particular the women’s relationship with men it is notable that all three women have been ill used by men. Emilia states that men “are all but stomachs, and we are all but food. / They eat us hungrily, and when they are full, / They belch us” (III.iv.100102) This creates a sense that Emilia has been hurt by Iago, an through experience, shown by the use of past tense, she has known what it is like to be devoured by love and then rejected, yet survive it. Bianca and Desdemona, the two most different women, both being called strumpet creates a direct comparison. The comparison between the women unites them, similarly to the use of inclusive and exclusive pronouns within Emilia’s monologue. Bianca’s response “I am no strumpet; but of life as honest as you that thus abuse me.” [V.i 122-123] as I said previously highlights a sense of acceptance of female promiscuity as a result of men’s “abuse”, similarly to Emilia. However Desdemona’s response “Be not to be a strumpet, I am none.” [IV.ii.87] although a similar response to Bianca’, highlights not only her pride but lack of experience. This experience quite possibly could be what Emilia in her monologue tries to give to Desdemona, and perhaps tries to persuade her to change her honest ways in order to survive. In relation to this, it could be assumed that Desdemona’s death could also be a result of her naivety and reluctance to adapt to survive.


Othello, William Shakespeare
Cambridge University Press (1992,2005) Edited by Jane Coles.

The Woman’s Part
Feminist Criticism of Shakespeare:
Edited by Carolyn Ruth Swift Lenz, Gayle Greene and Carol Thomas Neely. University of Illinois Press (1980)
pp 211-222.

Stylistic "Impurity" and the Meaning of Othello, Elias Schwartz
Studies in English Literature, 1500-1900 , Vol. 10, No. 2, Elizabethan and Jacobean Drama (Spring, 1970), pp. 297-313
Published by:
Rice University
Article Stable URL:

[1] Carol Thomas Neely, The woman’s part. Women and Men in Othello. (1978). P219

[2] Elias Schwartz, Stylistic "Impurity" and the Meaning of Othello (1970) p301

This student written piece of work is one of many that can be found in our University Degree Othello section.

Not the one? Search for your essay title...
  • Join over 1.2 million students every month
  • Accelerate your learning by 29%
  • Unlimited access from just £6.99 per month

Related University Degree Linguistics, Classics and related subjects Skills and Knowledge Essays

See our best essays

Related University Degree Othello essays

  1. Governor Kathleen Blanco was persuasive in her address to rebuild New Orleans. Her speech ...

    This sentence transcends her from a governor, to a heroic figure because she reaffirmed the beliefs and values of every person from Louisiana. By magnifying this sentence, she gained the audiences attention to get this important point across. She advocated action for help at rebuilding New Orleans through past facts.

  2. Discuss the representation of religious and racial differences in 'Othello' and 'The Jew of ...

    with his wife, Desdemona, he is insanely jealous, and murders her without concrete evidence of her infidelity. He is finally told of Desdemona's innocence by Emilia before she is murdered by her own husband, Iago. He then does the honourable thing by killing himself.

  1. With close reference to the representation of female characters in the first three chapters ...

    Webster presents two very diverse female characters in this scene. Vittoria appears to be niave and lustful, through her dishonourable affair. To the contary Cornelia is a visious yet moral character, who believes in remaining respectable and hourable. The converse between Brachiano and Francisco beging at (I, ii 50)

  2. Shakespeare's "Othello", the third scene of Act Three is the most suspenseful. Through ...

    Emilia alerts Desdemona and Cassio that Othello and Iago are approaching. Cassio excuses himself hurriedly, explaining that he is "too ill at ease" to speak with Othello now. It is at this point in the play that Iago, who is prepared to make the most out of every incident, begins to taint Othello's belief in Desdemona's fidelity.

  1. The purpose of this paper is to introduce, discuss, and analyze the topic of ...

    That is jealousy. It can be an ugly emotion, and it can elicit the most amazing and fatal responses. Interestingly, researchers believe that men are more adversely affected by their partners, and can have more emotional jealous responses than women, especially when they regard their s****l and romantic relationships (Meyers and Nannini 117).

  2. Analyse an extract of not less than 500 words from a text of your ...

    For example, he coupled, 'ill' with 'tuned' - 'ill-tuned'. In this essay I want to particularly focus on the play 'Othello' by William Shakespeare. I will look closely at the pivotal scene in the play, Act three, scene three. 'Othello' is a play, and therefore much more effective on stage.

  1. Othello's curse of distrust (Act I & II).

    The Duke seems to be the most sound in character and judgment. Whatever the case behind his actions may be that he nonetheless listens to both sides of the story between Brabantio, Othello and Desdemona. He offers Othello the chance to speak up for himself and then offers Desdemona a chance to confirm the story of how Othello wooed her.

  2. A marriage of convenience? Othello.

    his many adventures in Brabantio's home, he also pointed out that Desdemona would be captivated by his stories (979). These stories included not only his soldier experiences, but also his experience through life a moor, and former slave who beat the odds and succeeded despite having many people who would have liked him to fail.

  • Over 160,000 pieces
    of student written work
  • Annotated by
    experienced teachers
  • Ideas and feedback to
    improve your own work