Femenisim

  Chopin’s The Awakening is an influential and ahead of its time novel, published in 1899. It represents new ideas, techniques, and hope for women which were disdained by the patriarchal society at that time; it was considered morally inappropriate, but the fact was that the society was unprepared for such an outbreak which threatens the power of the patriarchy. Women at that time were expected to be submissive, obedient and loyal wives and mothers. The novel was a clear invitation for women to awaken from the conventions, which were restraining and limiting, to discover their self and identity.

 Even though it did not meet the appraisal it deserved when first published, Continental feminists would find the novel interesting and significant, for it holds within it the essence of Continental feminism and its aspects, which emerged around 70 years after its publication. The main character might be considered as a victim or  a character who got what she deserved for being selfish and her death might be considered as surrender and a sign of weakness. However, a continental feminist would consider her as a heroine and her death as a triumphant ending of a struggling woman who took control of her self and overcame the society’s conventions with her only choice that required a lot of bravery.  When examined by a continental feminist, ecriture feminine, phallologocentrism and strategic essentialism in the novel will be the center of attention and admiration.

  Ecriture feminine is one of the dominant aspect of continental feminism in the novel.

It is obvious that the main theme of this novel is women’s self discovery and independence from a patriarchal society. In the novel, the heroine Edna is a woman who tries to discover her self apart from being a wife and a mother. Her self discovery requires rejecting the patriarchal conventions of how women should behave and what role they should play. A continental feminist would track Edna’s journey of awakening consciousness, from the moment “she was having a good cry all to herself” until her triumphant death. “Mrs.Pontellier was not a mother woman” who was not extremely protecting and idolizing her children, which gives a sign to continental feminists that Edna is not a conventional mother who follows the laws of the society.  Throughout her journey, Edna rejects all conventions and limitations that suppresses her self and identity.

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Independence is also a part of ecriture feminine that is found in the novel.  Edna decides to move to a “Pigeon house” without her husband and children, which also helped her to discover her sexuality with men other than her husband, which made her realize her dissatisfaction of her  married life. It is also important to note that even thogh she engaged sexually with men for pleasure, she kept her self detached emotionally preventing being independent on any man.

 Also, ecriture feminine implies exploring the female being through female language using a matriarchal language which is remarkably found in ...

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