The first aspect of the poem identified is the setting. Boland portrays the moment in prewar France, in a café on the Boulevard de Capucines. It was a dry summer’s night with a storm brewing in the distance. This description allows the reader to bond with the emotion of the characters: the anticipation, the adrenaline of a scandalous romance, and passionate aura of Paris. The woman waits in the café as the man impatiently waits for
the gift to be wrapped. Then there is a gap in the story. The setting changes to a wartime scene in lines 21-22, “The past…a man running.” Suddenly the poem is in the present, representing the memory of the fan.
The perspective is external, as the author recreates the events. Boland is speaking to an unidentifiable audience that is most likely adult. Her purpose is mainly to construct the events so she herself can experience the instant in time further, yet also to allow others to identify with it as well. She feels strongly about the fan and the situation occurring in the poem. There is no evidence that the man was her father or that she was alive when the event happened, therefore she takes it upon herself to articulate the actions and emotions of the characters as she saw it.
Boland insinuates several instances of conflict throughout the work. The stifling, stormy weather is used to foreshadow the oncoming gap of information. The reader does not know what happened to the man, so, as lines23-24 state “And no way…you improvise,” the reader must come up with their own conclusion. The man might have been caught in the storm and never made it to the café. He could have been killed in the war before the gift arrived. The relationship might have ended. The pervading feeling of the unknown ending gives the poem relativity. The reader can relate their conclusion to their own life. Also, Boland uses the separation of the couple as a tension. The couple was supposed to meet, the woman waits, and the man is later than usual. The mood is both anxious and worrisome. Finally, there is tension between the known aspects of the story and the unknown. The reader is left wondering what happened to the man, how the woman got the fan, and how there was a sudden shift to the present.
In order to support her motif of the black lace fan, Boland a great deal of symbolism in the poem. The first instance of symbolism used is in her use of pronouns. Within the first three lines, Boland uses the pronoun ‘it’ twice. The first time, it can be determined to represent the fan. However, the second time it is used, the reader questions whether the weather was stifling or the relationship. The poet also uses the description of the weather to represent how the couples’ relationship is. For example, in line 11, she states “The heat was killing.” This refers to how lustful their romance was. Another symbolic reference is in the description of the fan. The wild roses are romantic, and they were on silk, which gives a sense of elegance. However, the next line states that the roses were “darkly picked, stitched boldly, quickly”. This also refers to the relationship. It could mean that they hurriedly picked each other, and that the romance was somewhat false. The final symbol that Boland uses in the poem is the blackbird. She personifies the bird as a female, and terms its wing as flirtatious, a direct reference to the fan. She also depicts the weather once again, this time as being sultry, just as it was in that moment in the past. The last four lines as a whole may represent what went in the first encounters of the couple: the passion, heat, and flirting.