Chicago, a film set in the 1920's full of cold-blooded killers and jazz

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Vanessa McIntosh

Chicago

Chicago, a film set in the 1920’s full of cold-blooded killers and jazz. Velma Kelly, a criminal who coincidently shot her husband and her sister she was in a double act with, after catching them in bed together. Velma shows us the story of chorus girl Roxie Hart’s murder of Fred Casely a nightclub murderer, whilst letting the audience sample the well-known classic, “All That Jazz”. Her husband Amos cheerfully takes the blame for the murder, after Roxie convinces him that the victim was actually a burglar. The Police reveal that Roxie knew the burglar, on an intimate scale to say the very least, upon hearing this, Amos lets Roxie swing for herself so to speak. Roxie’s first encounters the criminal justice system when she is put in the women’s block in Cook County Jail, which already inhabits Velma and a number of other murderesses. We hear each of their stories in the song “Cell Block Tango”. Matron Morton presides over the Jail, and her system of mutual aid is perfectly suited to her clientele.

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Velma and Roxie develop a bad relationship, with Velma at the most part the cause of this occurrence. She does not like Roxie, as she is not only stealing her limelight, but also her lawyer, Billy Flynn. Billy takes Roxie’s case, and alters her story for tabloid columnist Mary Sunshine, who sympathises with the murderesses. Billy actually dictates a new version of the truth in Roxie’s press conference. It seems to turn into a ventriloquist act with Roxie mouthing the words. To make matters worse, Roxie becomes the new toast of Chicago, and Velma is left forgotten about. Velma tries ...

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